Surfing to Salford: @Mozlandia and The Long Fetch

“We look to Los Angeles
For the language we use
London is dead, London is dead…”

I never really listened to a lot of Morrissey, thinking about it. I mean, I had a bit of a Smiths phase at university and I put ‘Last of the International Playboys‘ on the mixtape for a stag do once — that’s about it.

Then Ziba Zehdar-Gazdecki, a cool librarian from Los Angeles, shared photos from a book event on social media.

Mozlandia? I had to find out more.

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#NotEnoughScifi: John M. Ford & the Funny Business / Coda

We come to the final instalment of this series on the forgotten but brilliant science fiction writer John M. Ford.

Over the last few posts, we’ve looked at how he made nifty comedy out of the Star Trek franchise, and how his interest in games allowed him to lend nuance to the usual goodies-vs-baddies-in-space shenanigans when he was playing in other people’s universes.

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We also thought about why thinking science-fictionally matters when we try to find new ways of doing things for our communities, our organisations, ourselves. And we considered how good ideas move between the world on the page and the world beyond it.

I wanted to end by coming back to Ford’s actual life in Minneapolis. Read more

#NotEnoughScifi: John M. Ford & the Funny Business / Part 3

I started reading obscure author John M. Ford’s Star Trek books recently and I was blown away by how good they are.

I mentioned this online and other Ford fans started coming out of the woodwork:

Then I picked up a rulebook for a roleplaying game – GURPS Infinite Worlds – to research a time-travel-themed event I’m working on with a client.

Of course, whose name did I find among the co-authors?

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Ford wasn’t just a novelist or poet – he also worked on role-playing games, devising scenarios and background material that other people could use to play out their own stories.

The past couple of years I’ve been working on ways to use such games for professional development, so I was pretty excited to have Ford come back into my life so soon.

Not only did he work on Infinite Worlds – a time-travel/parallel universe setting which, as the title suggests, can encompass almost any other scenario or genre – but he created an award-winning caper for the game Paranoia, and a manual for people who wanted to play as the traditionally villainous Klingons in the Star Trek game.

And here’s where we come back round to Ford’s novels, and to the making of fun and brilliant things in the cracks and spaces of big-money enterprises.

Here is where we talk about The Final Reflection.

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#NotEnoughScifi: John M. Ford & the Funny Business / Part 2

Life is messy. The structures and services we design need to reflect that.

Creative responses to the world resist programming and procedure. You have to be flexible when you seek to address the challenges of this uncertain, unpredictable existence.

And if you’re going to plan and scheme a better future, that process should be intellectually stimulating, exciting: fun, even. Because if a vision of the future doesn’t engage, convince, and inspire, how are you going to make it work?

Let’s talk about Star Trek.

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#NotEnoughScifi: John M. Ford & the Funny Business / Part 1

I’ve been thinking about where we go next.

It’s a big part of my job, which essentially has two sides.

One of them is connecting and coaching people to bring their own bright ideas to fruition: finding resources, partners, and opportunities for them to realise marvellous initiatives.

Another part is scouting out the unmarked territory, the unknown spaces beyond service models and strategic visions, the opportunities we hadn’t even considered yet.

That includes using speculative fiction, sci-fi, and fantasy as a way of thinking about how things could be different…and what comes next.

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Mess and Macrohistory: Design Thinking and Beyond feat. @tegalex / Part 3

We’ve been talking about how to address the messy reality of library services over the last few weeks: not just the artists’ impression, the managerial vision, or the designer’s response to a brief.

With Dr. Kate Davis, my colleague at the University of Southern Queensland (USQ), we looked at using information experience to address community needs; before that, Auckland’s Jerome Rivera gave a wry take on the demands of frontline library service under the tagline “Code Brown“.

It goes beyond cleaning up after users in a public library setting, though. Code Brown  – understood more broadly as an attempt to address overlooked aspects of library information work – takes many forms and exists in many spaces.

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IX: Design Thinking and Beyond feat. @katiedavis / Part 2

Last time in this series we talked with Jerome Rivera of New Zealand about the messy realities confronted by frontline staff in libraries around the world. You can see some of that ongoing discussion via the #CodeBrown hashtag on Twitter.

What does an appreciation for messiness and uncertainty mean for the design of future experiences in libraries and their sister institutions? How can we best meet the information needs of the communities we serve?

Joining me this time is Dr. Kate Davis, my colleague at the University of Southern Queensland (USQ). Kate is a social scientist based in USQ’s Digital Life Lab, carrying out research into social media and the qualitative analysis of information experiences.

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Kate, I’ve heard of UX – user experience – but never IX. What is “information experience” all about?

IX is about understanding how people engage with information. It’s relational – focussed on the contexts in which people need, seek, manage, give, and use information. Read more

Pineapple GLAM with @amywalduck

Today I’m joined by Amy Walduck, Queensland State Manager for the Australian library association ALIA.

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Amy’s a government research librarian, musician, social media maven, and culture professional extraordinaire. She’s also creator of the @QLDLibraries Twitter account celebrating library achievements across Australia’s Sunshine State.

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Amy was my partner in crime on various initiatives at the State Library of Queensland, including baking cakes for occupational therapists at Griffith University. She’s a natural networker, enthusiastic, innovative, and determined: great qualities in an ever-changing sector like Libraryland.

Pinned to the top of Amy’s Twitter timeline for most of 2017 has been this statement:

I started our chat by asking Amy: Why did you make this your 2017 life goal?  Read more

Marvellous, Electrical: Lusophone

We’re revisiting two previous instalments of Marvellous, Electrical in a new form this month.

My partner Marta Cabral reads “The Dough“, about Brisbane’s baker of Portuguese pastries, in a bilingual version here:

Portuguese speakers can also enjoy Marta reading “Foolaru”, my Australia Day piece from 2017, here:

Marvellous, Electrical is a two-year project in the form of an email newsletter from across Queensland, Australia and beyond.

You can subscribe to the newsletter here and enjoy the full archive at this link.