The action comedy pits five Allied agents against the forces of Nazism in a warped version of World War II incorporating mind-controlled dinosaurs, a seagull-headed military officer, and the lost city of Atlantis.
In its second season, the show takes a dark and dramatic turn, becoming a serialised revenge epic set in a strange version of the 1980s, ripped from the shelves of a VHS rental store.
The whole project is the brainchild of filmmakers Dario Russo and David Ashby. I talked with them about their surreal brand of action adventure, the need to laugh at Hitler, cosmopolitanism, fascism, and the glorious world of B-movie pulp.
It’s a beautiful Sunday morning in Parkes, and life is grand, so I thought it might be a good day to share three great writers with you. These are all pop-culture pundits whose essays make excellent weekend reading.
Emmet O’Cuana – Challenger of the Unknown
Emmet is a Melbourne-based comics writer, critic, and occasional radio host who has interviewed me on a couple of occasions. Each time he forced me to question my opinions and raise my thinking to a new level. The first time our chat ranged from Star Crash to Kierkegaard; the second he asked smart and challenging questions about the live-action zombie games I’d been running in Australia and New Zealand.
My favourite pieces by Emmet are still forthcoming – he wrote an insightful chapter on comics creator Grant Morrison in Darragh Greene and Kate Roddy’s Grant Morrison and the Superhero Renaissance, plus a great essay for the comics site Sequart which made me re-evaluate James Robinson’s Starman, a comic which I love and thought I knew everything about. Watch out for them next year.
I’ve come to see Superman’s greatest powers as not his strength or heat vision, but his restraint and his theatricality both in restraining that power while pretending to fight as hard as he can and in passing as Clark Kent. As I see him now, Superman is always performing one way or another.
Frank Collins – May Not Be Used Where There Is Life
Frank writes on classic television for British site MovieMail, and at his own site Cathode Ray Tube. I’ve long had a fondness for old television shows, but through Frank’s chronicle of twentieth century telly I discovered obscure gems like the fourth-wall-breaking Strange World of Gurney Slade.
Frank’s current MovieMail series tracing the history of British TV sci-fi showcases his critical strengths: erudition, insight, and elegance. Frank can capture the essence and wider resonance of a TV show in a single descriptive paragraph, as he does here for the wildly different Red Dwarf, Space:1999, and Sapphire and Steel:
That’s all for today: three clever souls thinking out loud about the stories we tell ourselves on the page and screen. Go check them out, if you’re looking for a Sunday read. And have a great weekend!