Boys’ hate was dangerous, it was keen and bright, a miraculous birthright, like Arthur’s sword snatched out of the stone, in the Grade Seven Reader. Girls’ hate, in comparison, seemed muddled and tearful, sourly defensive. Boys would bear down on you on their bicycles and cleave the air where you had been, magnificently, with no remorse, as if they wished there were knives on the wheels. And they would say anything.
[…]
The things they said stripped away freedom to be what you wanted, reduced you to what it was they saw, and that, plainly, was enough to make them gag. My friend Naomi and I told each other, “Don’t let on you heard,” since we were too proud to cross streets to avoid them. Sometimes we would yell back, “Go and wash out your mouth in the cow trough, clean water’s too good for you!”
– “Changes and Ceremonies”, in Alice Munro, Lives of Girls and Women
Alice Munro is the most important writer in my life and that makes her hard to talk about. I’ve been trying to find the words since just before she won the Nobel Prize last year. They’ve been piling up in my hard drive, my inbox, in blog drafts and the Notes app on my phone.
Things came to a head when the recent debate about adults reading Young Adult (YA) fiction flared on the Internet. I had no sympathy for people who think YA unworthy of adult readers. But it was almost too easy to take up cudgels against literary snobs without acknowledging the strangeness of a world in which it’s all the rage for adults to read books explicitly not aimed at them.
In the ensuing squabble, I felt that other questions were barely touched.
matt finch / mechanical dolphin 