It feels somehow timely that “The Ghosts We See From the Mountains“, a chapter co-written with the University of Galway’s Marie Mahon for the Routledge volume Crisis and Body Politics in Twenty-First Century Production, is now live online and open access.
The chapter explores the useful intersection of Oxford-style scenario planning with issues of spatial justice and Verónica Gago’s concept of the “body-territory”.
Thanks to volume editors Charlotte Spear and Maddie Sinclair for bringing everything together.
matt finch / mechanical dolphin 