Ideas on Ghosts: Scenarios and the Spectral Metaphor

Did you just ghost me?

I just read Catie Disabato’s U Up?, a strange little mystery novel set in contemporary L.A.

Eve is a researcher for an app called LA By Foot which offers “definitive walking guides to the secret history, hidden paths, pedestrian staircases, and beautiful architecture of Los Angeles”. A historian at UCLA highlights notable locations in the city, then Eve visits them, photographs them, and writes the copy.

“I could do it all myself,” Eve explains, “research the history of Los Angeles by reading any or all of the many books James Danielson has published, but he has something I don’t have: the social power that comes from having a masculine name that starts with a J.”

So Eve walks the city, through hangovers and simmering California heat, all the while keeping another secret: on her iPhone, she texts her friend Miguel, who died by suicide a year before. And Miguel’s ghost texts back.

The novel follows the events around the first anniversary of Miguel’s death, when Ezra, who was Miguel’s friend and Eve’s, goes suddenly missing. As she tries to discover whether Ezra is merely avoiding her or something more sinister has happened, Eve is forced to confront what is going on within and between their circle of friends.

Disabato’s book addresses different kinds of spectrality with delicacy and deftness. In this world, there’s little difference between a supernatural revenant like Miguel’s ghost and a living friend who Eve is messaging, “trapped inside my useless idiotic lump of an iPhone.”

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