Elevate!

Rachael Rivera in Library Journal's Movers and Shakers 2018 awards

Last year, I was invited to give a keynote speech at Aotearoa/New Zealand’s national library conference, LIANZA 2017.

I wanted to realise a long-held dream and present a collective keynote with a number of Australian & New Zealand colleagues sharing the stage, but it wasn’t practical for LIANZA to fly a whole group of us across the Tasman Sea.

(They did, however, kindly accede to one request and arrange a special funded session on Indigenous Knowledge Centres, led by my brilliant Queensland colleague Lesley Acres).

In the end, we contrived a way to deliver a unique collective keynote – by taping my mouth shut and inviting members of the audience on stage in an hour-long series of creative, constructive, collaborative activities.

For me, the highlight came at the end of the keynote session, when two special guests materialised.

We had arranged for Auckland Libraries’ Rachael Rivera & Hamish Noonan to attend the conference in secret, taking the stage to conclude our keynote.

Rachael’s concluding comments triggered a debate about libraries and homelessness on national media in New Zealand, and gave both Rachael and her Kiwi colleagues the opportunity to stand up for library values, articulating their commitment to equity, justice, and access to the world of knowledge and culture for all.

In October, US librarian Justin Hoenke approached me to co-nominate Rachael for the American Library Journal‘s annual Movers & Shakers Award, highlighting professionals who have done exceptional work in libraries around the world.

Today, Rachael was announced as a winner of the 2018 Movers & Shakers Award and her friends & supporters worldwide are justifiably celebrating. From her days back in suburban Auckland to current international glory, including her own individual library keynote in Edinburgh,  Rachael is one of the greatest heroes of public librarianship in 2018.

Voices like hers deserve to be elevated. Look her up. Learn from her. Change the world for the better.

Read more about Rachael’s Movers & Shakers nomination at Justin Hoenke’s website.

USQ Podcast: Eurovision to Eudaimonia

The final pilot podcast from my 2017 project at the University of Southern Queensland (USQ) just went live.

The project explored ways for the university to engage a wider audience and connect with the community beyond recruitment, research, teaching and learning.

USQ’s resident Eurovision expert, humanities lecturer Jess Carniel, was joined by Neil Martin of the USQ Digital Life Lab and Lee McGowan, who researches the history of women’s football at a neighbouring institution, Queensland University of Technology.

Their conversation ranged from the history of women’s football to Aristotle’s views on “eudaimonia” and a life well-lived, politics, performance, and the fate of Katy Perry’s Left Shark.

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Check out the latest USQ podcast episode online now.

You can also listen to previous instalments from USQ Astronomy Festival and Bluestocking Week for women in higher education.

The USQ Podcast

The University of Southern Queensland (USQ) has piloted a new podcast at the end of a six-month community engagement project with their School of Information and Learning Services.

The chatshow-style podcast offers a new medium to bring university experts together with a wider audience, to explore new ways of sharing knowledge, and to stimulate conversations between USQ staff and peers in other institutions.

Staff and students from USQ’s radio school joined forces with REDTrain, the university’s Researcher Development and Training Team, to identify USQ researchers who could speak to contemporary issues for a wide audience. We then partnered USQ speakers with peers in museums, the arts, sciences, and other universities to broaden the conversation and stimulate debate.

Three pilot podcasts were recorded in late 2017, with the first episode launching to mark USQ’s Astronomy Festival.

A second edition celebrating women in academia has just gone live.

Visit the USQ podcast platform, Whooska, to hear more.

Marvellous Finale

It’s the final edition of Curious, Mysterious, Marvellous, Electrical today – the newsletter I’ve used to capture stories and secret histories from Australasia and beyond over the last two years.

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We started out by walking the coasts near Lisbon back in January 2016 and we finish the journey more or less where we began, exploring the history of one of Portugal’s most illustrious artistic families.

In the intervening years, highlights included:

And that’s not even including the drug counsellors, the Nazi hunting comedians, the dancer turned paramedic, the time travelling arts worker, or the Argentinian sisters running a horror-themed cake shop out on the tropic of Capricorn

…or the pastry.

Check out the complete Marvellous, Electrical on Google Maps.

Marvellous, Electrical: Distant Lands Are Not So Far Away

Pop stars at the fall of Communism. A man who builds imaginary tools to solve problems that never were. A mining engineer who made a ten-tonne truck disappear through a metre-wide tunnel.

Approaching the end of the year and the final instalments of Marvellous, Electrical, we’re joined by two humble figures with secret artistic careers.

Andy MacDonald, factory supervisor at Queensland’s Cobb + Co Museum, recounts a life spanning mining, sculpture, stage design, and jet fighter maintenance in Part 1 of The Fitter And The Handyman.

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Then Alf Klimek, doing odd jobs and broadband installation in Melbourne, reveals an unexpected career as a Berlin-based Cold War pop star.

You can also see two years’ back catalogue of Marvellous, Electrical over at the newsletter’s Google Maps page. Distant lands are not so far away…

I’ve seen things you people wouldn’t believe

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Well, that’s it for the current stint in Australia. We’ve achieved so much at the State Library of Queensland (SLQ) and University of Southern Queensland (USQ) since I came over for the initial 12-month residency in January 2016.

I’ve a few more gigs in London before Christmas, and then some exciting announcements to make going into 2018. Watch this space.

Hard to pick out highlights from the past two years, but among them I’d say:

But really there’s been too much to mention. (Like the roadtrip. The roadtrip!).

You can see some highlights here:

 

Thanks to everyone who made these projects possible and worked hard to let our teams explore all things wondrous and strange.

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This Digital Life @usqedu @thewritplatform: Mums, Dogs, and Inmates

The Writing Platform has published my three-part series on the work of Australia’s Digital Life Lab, an academic unit at the University of Southern Queensland exploring our experiences of the digital world.

Part 1 in the series, “Mums“, looks at fake news, parenting decisions, and the information world of new mothers on social media, as researched by social scientist Kate Davis.

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Part 2, “Dogs“, follows researcher Ann Morrison’s investigations into animal-computer interaction, teasing out the implications of a world where animals and digital devices interact without a human intermediary.

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Finally, part 3, “Inmates“, looks at digital engagement in remote communities – principally the Australian prison population – through the lens of two projects: the Shakespeare Prison Project and Digital Life Lab’s ‘Making the Connection’ initiative, led by Professor Helen Farley.

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Find the whole series here at The Writing Platform.

 

LIANZA #Open2017 – Future Sound of Libraries / The Process

This is part one of a three-part series on the LIANZA #Open17 library conference.

In August last year, the organisers of LIANZA Open 2017 invited me to be a keynote at their conference, the national gathering for the librarians of Aotearoa New Zealand.

Last week, it all happened – I taped my mouth shut for an hour and led an adventurous conference session which brought the audience onto the stage, delivered a working library service within the keynote hall itself, and got us coverage on New Zealand’s national news.

So what exactly took place over in the city of Christchurch, how did we get here, and what can we do with the experience? If I share with you not only the product, but the process, could you see your way to trying something like this…or even going beyond what we achieved in New Zealand?

Read more