The Important Thing Is Elsewhere

The Family Tree

Before all this, I went to my grandfather’s house in Spain. I’d never really liked it. It wasn’t the house he’d lived in as I grew up, which was just down the road from the new place. That had been the house of memories, the place where my grandmother had died before I was born.

He bought the new place when it was time to find a smaller, more manageable property, as he entered his eighties and I my twenties. I worked with him on both houses, helping him to do up the old one and improve the new. I painted walls white and coated tiles with red rubber sealant; mixed cement and ferried endless wheelbarrows of it to wherever he was working that day. He chided me for my cement mixing technique, for the way I handled a paintbrush or a pickaxe, the way I clambered up and down ladders and scaffolding, fetching tools and materials. It was the happiest time.

He died, digging over the garden of the new property with a rotorvator, when I was 23. He’d have been glad to go that way; he’d always talked of “falling off his perch” rather than a dreaded slow decline, and even when we were working together on the new place, he’d still pull stunts like climbing into the tree he was pruning, clinging to the branch above him while standing on the one below, which he was sawing off, jumping up and down to speed the process.

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Afterlives of Evidence: A Response from @katbhave

New Zealand-based librarian Kat Moody read my post on Afterlives of Evidence, archives, and grief last week. She offers this response, exploring military history, natural disasters, landscape and memory.

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Photograph by Kat Moody

Recently I had the opportunity at work to attend a course on character strengths run by the Mental Health Education Resource Centre. It’s great that these opportunities for healthcare professional development are being opened up to librarians. Last year I went to one of their courses on grief. This was an incredibly valuable session where I learnt a lot; one thing that stood out to me was that we don’t just grieve for people, we also grieve for places and things, particularly in times of change. Sometimes these aspects are inextricably linked.

Because I work in the centre of Christchurch, I am surrounded by sites of memory and sites of mourning. Read more

It’s the Tyrell Corporation Comedy Hour!

On Friday, 20th October, I was the guest storyteller at Brisbane improv troupe Big Fork Theatre’s “Cool Story Bro“.

At “Cool Story Bro,” the guest storyteller shares tales from their past, based on audience prompts, which then become fuel for improv sketches by the troupe. It’s an interesting format with roots in the work of the Upright Citizens Brigade, which has been home to the likes of Amy Poehler, Donald Glover, and Aziz Ansari.

You can watch Tina Fey doing this kind of storytelling here:

I’m no Tina Fey, but I did my best. My stories came from the audience call-outs “cats”, “whales” (or “Wales”), and “first kiss”. As always with these things, it was entirely terrifying & nerve-wracking right up until the moment you stepped on stage and just had to do it.

I’ve been getting all excited about memories lately – how they blur the bounds between fact and fiction, how they might be shared or transplanted between us. And I like challenging myself to get out of my comfort zone.

I found stories from my life and told them messily and honestly, with plenty of detail for the improv troupe to riff off. In turn, they made skits about talking meteorites, a school for nervous possums, and TV cookery shows. It was fun to see your experiences reworked into something that preserved only the vibe; details warped and reworked into new contexts, themes you hadn’t spotted in your own tale coming to the fore.

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Memory Squad!

What does it mean to have a creative relationship with the past?

How do 21st century institutions manage our cultural heritage?

I asked Jacinta Sutton, Gavin Bannerman, and Laura Daenke of the State Library of Queensland.

Call them the Memory Squad.

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Read about their work over at Library as Incubator today.