Scripturient: Sanchita Balachandran on Conservation through Generations

In the latest instalment of Information Professional‘s ‘Scripturient‘ column, guest writer Sanchita Balachandran tells the story of meeting her late maternal grandfather for the first time among the collections of a colonial archive.

Born in Nagercoil, South India and trained in forest management at the University of Edinburgh in the early 1930s, her grandfather’s journey is part of a wider network of relationships spanning the generations, and stretching from the Indian state of Travancore to Baltimore and beyond.

In her column, Sanchita explores the resonances between her grandfather’s work as a conservator of forests and her own role as Associate Director of the Johns Hopkins Archaeological Museum; she reflects on the necessary, mundane, often invisible work of cultural heritage professionals; and she considers the complex emotions experienced when “harm and recovery, disconnection and reunion” are entangled in our experience of the colonial archive.

What do we owe to the families and loved ones of the long deceased? How do objects bear witness to our lives, and how is that act of witnessing complicated by questions of power, justice, and belonging?

You can read ‘Conservation through Generations’ (PDF download) here.

Exploring Photography with Wendy Catling, Dr. Natasha Barrett, and Jonathan Bart

Last month, I invited three photographers to discuss how their medium is used for art, research, and storytelling in families, communities, and institutions.

Joining me for the conversation were Australian artist Wendy Catling, Research Librarian Dr. Natasha Barrett of the Alexander Turnbull Library (National Library of New Zealand Te Puna Mātauranga o Aotearoa), and British filmmaker Jonathan Bart.

Do photographs offer a collection of scattered moments or an unbroken connection to the past? From first pictures taken through “memories of memories”, stories of migration and famiy secrets, questions of colonialism, agency, and power, my three guests talk candidly about their personal, professional, and artistic relationships to this unique and powerful medium.

You can listen to the discussion on Soundcloud or YouTube.

Would you like to find out more about my guests?

Wendy Catling’s work appears at her own website and the site for her most recent project Nightshade, discussed in the podcast. (She is currently fundraising for the Nightshade photobook).

Read more about Dr. Natasha Barrett’s research at the University of Leicester website, and you can also find Natasha on Twitter.

Jonathan Bart’s work appears at his own website. You can also find Jonathan on Instagram, Behance, Vimeo, and Flickr.

Interview with Wendy Catling of Ettamodern.com

I had the chance to interview one of my heroes, the Australian artist and educator Wendy Catling of ettamodern.com, during my recent visit to Melbourne.

Wendy works with digital and photographic processes, particularly cyanotypes, to create artworks which address private history, psychological disturbance, Australian landscapes, and the natural sciences.

The interview comes in advance of a new series of artworks by Wendy which combine narrative, memoir, family archives, and technical experimentation to tell stories of hidden violence, resilience, and renewal.

Viewers and listeners should be warned that Wendy’s work addresses histories of family abuse and domestic violence. Australian listeners affected by these issues can can contact the 24 hour counselling service 1800RESPECT by telephone at 1800 737 732, or online at 1800respect.org.au.