Tag: Aotearoa

Exploring Photography with Wendy Catling, Dr. Natasha Barrett, and Jonathan Bart

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Last month, I invited three photographers to discuss how their medium is used for art, research, and storytelling in families, communities, and institutions.

Joining me for the conversation were Australian artist Wendy Catling, Research Librarian Dr. Natasha Barrett of the Alexander Turnbull Library (National Library of New Zealand Te Puna Mātauranga o Aotearoa), and British filmmaker Jonathan Bart.

Do photographs offer a collection of scattered moments or an unbroken connection to the past? From first pictures taken through “memories of memories”, stories of migration and famiy secrets, questions of colonialism, agency, and power, my three guests talk candidly about their personal, professional, and artistic relationships to this unique and powerful medium.

You can listen to the discussion on Soundcloud or YouTube.

Would you like to find out more about my guests?

Wendy Catling’s work appears at her own website and the site for her most recent project Nightshade, discussed in the podcast. (She is currently fundraising for the Nightshade photobook).

Read more about Dr. Natasha Barrett’s research at the University of Leicester website, and you can also find Natasha on Twitter.

Jonathan Bart’s work appears at his own website. You can also find Jonathan on Instagram, Behance, Vimeo, and Flickr.

Interview with Mark Stewart, Part 2: Beyond the Valley of the Clueless

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Earlier this year, I interviewed the academic and researcher Mark Stewart about the changing nature of television in the digital age. Our discussion, presented in two parts, explores the geography of televisual culture: who gets access to what TV and when? Whose content is privileged and whose is excluded? What happens when you can’t get the shows you’re looking for, because you find yourself in the “wrong” part of the world or wanting the “wrong” content?

Mark also talked about his personal journey to becoming a television studies researcher and how he found himself reading his way into a culture of shows and movies which had not featured in his New Zealand childhood. You can read the first part of our interview here.

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I want to return to this question of networks, and awareness of what is out there, from online Buffy fandom, to the streaming services’ cornucopia, to the grey market trading in unlicensed material. How do you map the television landscape? 

Mainstream content providers are locked into a framework which is colonial. It consists of a set of privileged spaces which generate and export content for the rest of the world – both as a capitalist endeavour but also to establish certain values and norms.

In the age of subscription streaming, you enrol into the system, you accept that you’re its subject; you play by capitalist rules as you subscribe, you accept that they’ll tell you: “This is what comedy looks like, this is what drama looks like, this is what sexy looks like…”?

Part of the intent is to share a set of cultural values and assumptions that make the environment more hospitable to the content provider. One of those assumptions is that there is a homogenous nation of television watchers. Yet in every corner of the world, we’re way beyond that kind of homogeneity; we understand that the nation is an imposition. Its boundaries are permeable, it’s filled with diverse and ill-fitting and resistant elements.  

Read more →

Interview with Mark Stewart, Part 1: Don’t you have an elsewhere to be?

Mechanical Dolphin

Earlier this year, I interviewed the academic and researcher Mark Stewart about the changing nature of television in the digital age. Our discussion, presented in two parts, explores the geography of televisual culture: who gets access to what TV and when? Whose content is privileged and whose is excluded? What happens when you can’t get the shows you’re looking for, because you find yourself in the “wrong” part of the world or wanting the “wrong” content?

Mark also talked about his personal journey to becoming a television studies researcher and how he found himself reading his way into a culture of shows and movies which had not featured in his New Zealand childhood.

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A few years back, you wrote about “the myth of televisual ubiquity”, this notion that despite the sense that television is abundant and easily available worldwide now, there are still barriers, restrictions, and friction when it comes to global access to television. The “tyranny of distance” still applies thanks to national borders, licensing deals, and the assumptions made by content providers about what kinds of show people want to watch.

What does that look like in 2021?

Read more →

Poetry and information – A conversation with Helen Heath

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The latest instalment of Scripturient, my column for Information Professional, is out now.

In this series, I’m looking at how we can push the boundaries of literacy in the 21st century, to encompass new areas of representation. What does it mean to read the future? To read risks? To read the forces that underpin our relationships and drive us psychologically? To read the signs and signals which exist in the natural world?

In the latest issue of Information Professional, I talk to writer Helen Heath from Aotearoa New Zealand about birdsong, technology, poetry, and the natural world.

What would change about your work if you read, or even wrote, a poem on waking up every morning? To what new things would you attend? What would you learn about information, and our relationship to it?

You can read the column in a PDF download here, or get your own copy of Informational Professional magazine here.

Learning from Acknowledgments of Country

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“I’d like to begin by acknowledging the traditional custodians of the land that we’re on, and paying my respects to elders past, present, and emerging.”

That’s the form of words as I say them now; the current evolution. I learned to say them on the lands of the Turrbal and Jagera people in what is now Brisbane, and the lands of the Jarowair and Giabal people in what is now Toowoomba. “Custodians” has recently replaced “owners”, at the suggestion of Chris Lee; “emerging” replaced “future” a while back, although I’m not sure entirely why, I just noticed that some people I respected used that word rather than the other.

The saying, as a whole, is an Acknowledgement of Country; a form of recognition and respect for Aboriginal and Torres Strait Islander people and their relationship to the land which is often spoken at the beginning of a gathering in Australia. These days, I say it when hosting online meetings and workshops on Zoom or other platforms. Although I’m currently in London, and might be speaking with people anywhere in the world, I usually choose the Australian form of words if I’m working in a multinational space, because Australia was where I first became aware of the need to acknowledge Indigenous peoples’ custodianship of the land, and of a formalised protocol which could guide us in doing so.

Read more →

“New adventures in disasterology”: Learning from crisis with Christchurch Libraries

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Katherine Moody is a librarian in Christchurch, Aotearoa New Zealand. She and I submitted a piece for the US Public Libraries Magazine at the end of March 2019, and it appears in the current (April/May 2020) issue. 

You can read that text, “Even In The Worst-Case Scenario”, as a PDF download here – but it would be an understatement to say that a lot has changed in the world since we wrote it! 

Worst Case Scenario

To keep the conversation moving forward, Katherine and I had a short discussion about libraries’ experience of crisis over the past year.

Matt:
In terms of our interest in coping with crises and turbulent situations, in understanding the part libraries have to play in these huge upsets: what has been learned?

Katherine:
So much has happened, both personally and professionally, and is continuing to happen, and taking a breath to look back is almost overwhelming.

I think we need to have the mindset – and the strategy – that we need to be prepared to face anything. I’ve been thinking a lot recently about some Crowded House lyrics recently: ‘I’ve been locked out / I’ve been locked in / but I always seem to come back again’. Read more →

6 Hot Picks – NZ Library Life

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Together with Australia’s Brendan Fitzgerald, I’m in Library Life, the magazine of libraries in Aotearoa / New Zealand, this month, offering six hot picks and a few reflections on our recent NZ strategy workshops.

You can read our feature here, click on the image below, or check out the complete issue (PDF download) at the Library Life website.

Screen Shot 2019-10-24 at 10.25.00

Six hours, three sentences for Libraries Tasmania

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This September, I spent a day with senior leaders from Libraries Tasmania as part of my Australia/New Zealand workshop tour.

Accompanied by Aussie consultant Brendan Fitzgerald, my task was to help over 20 senior managers to agree an overarching mission statement that reflected an existing strategic plan, plus the full scope of an organisation encompassing archives, a museum, the State Library of Tasmania, and an island-wide public library service.

We set the scene for the mission statement with a series of iterative tasks exploring plausible futures that the organisation might face – and ways of responding if those futures came to pass.

By the end of the day, we had built enough common ground for the workshop participants to agree a wording which framed and articulated their service’s mission in an accessible yet inspiring way: three compelling sentences that could only be found after a solid day of future-facing inquiry.

Libraries Tasmania’s Executive Director Liz Jack wrote:

Throughout the day, Matt kept things moving while still being emotionally intelligent enough to notice when people were feeling uncomfortable, respectfully encouraging them to articulate what they were feeling and thinking.

Comments from participants included the following:

  • Matt captured the context of Libraries Tasmania very well and his in depth
    knowledge and experience of other libraries internationally added value to the
    sessions
  • Matt kept us on track and had a great ability to read the room
  • A great find!
  • Best facilitator seen in a long time; a good understanding of both strategic
    planning and the library field
  • Matt is one of the best. Clever listening and guidance and good subtle questioning of assumptions . . . a paradigm changer and questioner
  • The fact that there was an outcome was a significant improvement to any
    other vision/mission related workshop I have engaged in . . . It could not get
    much better.

Matt’s work has set us up with a mission statement that everyone has embraced and now owns, and the discussion and ideas he generated have laid a solid foundation for future planning and visioning work with the entire organisation.

You can read more at this site’s testimonials page.

Strategy and Impact Workshops for LIANZA Aotearoa New Zealand

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Last week, I ran two workshops for New Zealand culture and information professionals with the support of Australia’s Brendan Fitzgerald.

The sessions, hosted at the National Library in Wellington by the Aotearoa New Zealand library association LIANZA, explored foresight, strategy, and next-generation measures of impact. We sought to give Kiwi culture & information professionals the tools to examine the future and make judicious strategic decisions, then investigate new ways to measure and demonstrate the difference their actions make in the world.

One participant said:

​​The tools from the strategic session were the most immediately useful to me – I liked how they broke a large process down into smaller steps from which concrete directions came organically and iteratively. I also liked the argument that while evidence-based research is good, there is no evidence from the future, and the stress on the fact that there is more than one possible future.

It was good to have people from outside your immediate context test your assumption, and to do the same for others… I made a coffee date with someone who is already a second-degree connection in my network who I have been meaning to connect more closely with (bonus: they’re from a different GLAM field to me, so that was a plus for LIANZA making it open to multiple sectors).

You can read more at the Libraries Aotearoa website.

The Librarians of Christchurch

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The Tūranga central library in Christchurch, Aotearoa New Zealand went into lockdown during the terror attacks which occurred in the city centre last Friday.

Librarians onsite looked after the visitors in their care, while the service’s social media team provided emergency communications, as they previously had during the earthquakes which struck the city in 2010 & 2011.

Exterior of Turanga Central Library, Christchurch, New Zealand

Image by Wikipedia user Isaacfreem – used under a CC BY-SA 4.0 licence

A condolence book has been set up on the ground floor of Tūranga, so people can leave messages of support and sympathy for those affected by Friday’s mosque shootings.

Christchurch’s librarians have been tested by crises that no community should face, and proved themselves to be brave, compassionate, effective, and resolute. They are heroes of the information profession. Spare a thought for them this weekend.