I joined Kirsten Wyatt of the US Emerging Local Government Leaders’ GovLove podcast to talk about scenarios, strategy, foresight, play and the power of drawing.
I’m speaking at City University’s “After Hours” lecture series in London next Monday, 15 October at 5pm.
The series, hosted by City’s Library and Information School, explores all aspects of information in modern society.
In my session, “Your Half-Truths Are Problematic“, I’ll be talking about our relationship to truth, facts, stories, and lies, both on- and off-line.
In 2018, who can we trust with our information, and what information can we trust?
Is there any institution we can rely on in an age beset by digital misinformation?
Are there tools we can use to fight back against those who seek to cloud the truth for their own purposes?
Join me at City University London to discuss these questions next Monday at 5pm.
On the blog this week, I’m joined by Dr. Philippa Collin, a Senior Research Fellow at Western Sydney’s Institute for Culture and Society. Read Part One of this interview with Philippa on political, participation, youth engagement and the digital world here.
How does your role contribute to discussions around youth engagement – and activities which bring young people together with different institutions and organisations?
In the last few years I’ve been involved in large-scale, cross sector engaged research initiatives that bring together young people, industry, community, policy and academic partners to collaboratively identify, design and undertake research on a range of issues such as youth mental health, engagement, employment and online safety.
In this work I’ve been a strong advocate for participatory approaches and thinking about how to be inclusive of young people’s views – from agenda-setting about what gets researched and the terms of inquiry, through to translation and application of research findings. I hope I’ve had some influence!
My most recent project has involved collaborating with eight colleagues at WSU to run a Young and Resilient Living Lab Foundation Project. We brought together 100 participants over five workshops to co-create a community and an agenda for engaged research to inform technology-based strategies to promote the resilience of young people and their communities.
Fo us, resilience should be understood as the capacities to transform the conditions of social life – achieved through ongoing processes of individual and collective receptivity and responsiveness. Read more
On the blog this week, I’m joined by Dr. Philippa Collin, a Senior Research Fellow at Western Sydney University’s Institute for Culture and Society. Philippa is a social scientist who previously worked at www.reachout.com, the world’s first online suicide prevention initiative aimed at young people. She researches the role of digital technology and media in young people’s lives, including a focus on political participation, identity, and exclusion.
I hear a lot of concern from public institutions about the notion of “making better citizens” right now. Political upsets, fear of ‘fake news’: the powers that be are concerned about the nature of citizenship in the digital age.
Institutions could adapt their structures to meet the needs of people they perceive as “disengaged”. Or, instead of the institution adapting, they might try to help people develop the skills & capacity to engage with existing structures.
What pitfalls are there for organisations seeking to engage the (apparently) disengaged?
I come from a community of scholars who have actively argued against the normative framing of ‘politics’ and ‘participation’. For example ‘politics is about what happens in parliament’ and the ‘good’ forms of participation are to vote, join a party or get involved with set activities or processes – usually all designed by adults! Read more
Always get feedback…from the workshops and activities that you run.
There’s always something to learn from your participants, something to surprise you, or something to make you smile.
(That “bit cold” line is about the air conditioning in the venue, not my icy demeanour…I hope!).
The University of Southern Queensland (USQ) has piloted a new podcast at the end of a six-month community engagement project with their School of Information and Learning Services.
The chatshow-style podcast offers a new medium to bring university experts together with a wider audience, to explore new ways of sharing knowledge, and to stimulate conversations between USQ staff and peers in other institutions.
Staff and students from USQ’s radio school joined forces with REDTrain, the university’s Researcher Development and Training Team, to identify USQ researchers who could speak to contemporary issues for a wide audience. We then partnered USQ speakers with peers in museums, the arts, sciences, and other universities to broaden the conversation and stimulate debate.
Three pilot podcasts were recorded in late 2017, with the first episode launching to mark USQ’s Astronomy Festival.
A second edition celebrating women in academia has just gone live.
It’s the final edition of Curious, Mysterious, Marvellous, Electrical today – the newsletter I’ve used to capture stories and secret histories from Australasia and beyond over the last two years.
We started out by walking the coasts near Lisbon back in January 2016 and we finish the journey more or less where we began, exploring the history of one of Portugal’s most illustrious artistic families.
In the intervening years, highlights included:
- True tales of murder, colonialism, and improv comedy in rural Queensland,
- The story of a boyish, inexperienced pub landlord who faced down drinkers in a rough-as-guts country town,
- A meeting with the delightfully sinister Kransky Sisters, in and out of character,
- Discovering the price Aussie athlete Peter Norman paid for supporting black rights at the Mexico Olympics,
- and the all-but-forgotten life of Australia’s first openly gay TV celebrity.
And that’s not even including the drug counsellors, the Nazi hunting comedians, the dancer turned paramedic, the time travelling arts worker, or the Argentinian sisters running a horror-themed cake shop out on the tropic of Capricorn…
…or the pastry.
Anderson’s grand literary tour of urban environments that never were, from citadels of myth to more manageable fantasies of the kind you’d find in Walt Disney’s EPCOT centre, challenges our vision of what cities could be in 2017 and beyond.
In my review for The Lifted Brow, I link Anderson’s work to projects taking place around Australia, giving local context to his epic global account of the urban past, present, and future.
I love TV, and I don’t think I watch enough of it.
I’d watch more but it’s so slow*. You can spend weeks of your life trying to hammer through season after season of just one show. In Douglas Coupland’s 1993 novel Microserfs, characters “blitz” movies by watching videos on fast-forward with subtitles switched on.** My friend Katie, equally impatient, listens to audiobooks on chipmunk speed, but I don’t think I could sustain either approach for a full season of TV.
I watch television to get ideas for work. TV shows and community experiences like the ones I design have a lot in common. You need a central conceit which draws people in, and on which you can hang a series of recurring episodes. Action-adventure, problem solving, and play are closely entwined. This year’s non-speaking, musical keynote was inspired by dialogue-free sequences in the TV show Legion.
The teams I work with are pretty explicit about this link between TV and the events we run. The working title for Ann Arbor’s Wondrous Strange event was ‘Weirder Things’.
Stranger Things is a difficult one for me because I’m not super into it, and that makes me feel bad. It’s so popular, I feel like I’m missing something. Like I’m out of touch. It’s doubly bad because I grew up immersed in – and totally in love with – the late 80s/early 90s world of Stephen King novels and pirate horror movies on VHS.
At “Cool Story Bro,” the guest storyteller shares tales from their past, based on audience prompts, which then become fuel for improv sketches by the troupe. It’s an interesting format with roots in the work of the Upright Citizens Brigade, which has been home to the likes of Amy Poehler, Donald Glover, and Aziz Ansari.
You can watch Tina Fey doing this kind of storytelling here:
I’m no Tina Fey, but I did my best. My stories came from the audience call-outs “cats”, “whales” (or “Wales”), and “first kiss”. As always with these things, it was entirely terrifying & nerve-wracking right up until the moment you stepped on stage and just had to do it.
I’ve been getting all excited about memories lately – how they blur the bounds between fact and fiction, how they might be shared or transplanted between us. And I like challenging myself to get out of my comfort zone.
I found stories from my life and told them messily and honestly, with plenty of detail for the improv troupe to riff off. In turn, they made skits about talking meteorites, a school for nervous possums, and TV cookery shows. It was fun to see your experiences reworked into something that preserved only the vibe; details warped and reworked into new contexts, themes you hadn’t spotted in your own tale coming to the fore.