Learning from futures you didn’t see coming? Scenario planning, education and the (post)pandemic world at CO:RE

It was my privilege to join the University of Oslo’s Niamh Ní Broin and Steffen Krueger at the website of CO:RE, the Children Online: Research and Evidence project funded by the European Commission, to write about last year’s scenarios for the future of Norwegian schools.

These explored different contexts for the digitalisation of education in Norway, considering how the relationship between learners, digital devices, and educational institutions might shift in times to come.

You can read our piece, “Learning from futures you didn’t see coming? Scenario planning, education and the (post)pandemic world”, here.

SHAPE Education: Schooling, Skills, and the Future of Work

I’ll be speaking at the SHAPE Education 2021 conference on Wednesday 14th July, joining the panel “What will individuals need to learn for success in work and life in the future?” alongside Heather E. McGowan and Silvana Richardson.

We’ll be asking, what skills, knowledge and characteristics will employers need and be looking for in future? How will education systems help people develop these within and beyond schools? And will relationships between schools and employers change?

You can join our panel, and other sessions from the week-long SHAPE event, for free.

“Why would you write it if you’ve already solved it?”: Interview with Chana Porter, Part 3

Playwright, novelist, and education activist Chana Porter joined me to talk about her new novel The Seep

In the book, Porter imagines an alien invasion of an unusual kind. The Seep find their way into the Earth’s ecosystem and cause every living being on the planet to become connected. “Capitalism falls, hierarchies and barriers are broken down; if something can be imagined, it is possible.”

You can read the first part and second part of our interview here, or check out the complete text now as a PDF download. In this instalment, Chana talks about loss, change, her goals as a writer, and the histories of secret writing in her own family.

M: The book is so steeped in grief, and it’s a theme we see elsewhere in your writing; the play Phantasmagoria has this question, for example, “Do the dead truly leave us?”

How did grief come to the forefront in this particular novel?

C: Don’t you think that ageing is a kind of grief? We betray our younger selves, our ideas of who we were or what we wanted, as we move on in time. I’ve lost some dear people who are close to me, people who died suddenly and young, so I have a little more of that shock of grief than some — but I think that in any kind of long-term relationship, what people don’t tell you about marriage is that there is a slow betrayal of whoever you were on your wedding day. I think that if there’s not, you’re doing it wrong! 

You need to become another person when you make this commitment, and you’re very lucky if you can change alongside your partner in a way that you get to rediscover one another. I don’t really know how we manage to promise anyone else anything, except to be clear, and true, and kind.

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“Leap, and the net will appear”: Interview with Chana Porter, Part 2

Playwright, novelist, and education activist Chana Porter joined me to talk about her new novel The Seep

In the book, Porter imagines an alien invasion of an unusual kind. The Seep find their way into the Earth’s ecosystem and cause every living being on the planet to become connected. “Capitalism falls, hierarchies and barriers are broken down; if something can be imagined, it is possible.”

You can read the first part of our interview here, or check out the complete text now as a PDF download. In this instalment, Chana talks about her practice as a writer and its connection to her experience as a person who stutters, and reflects on questions of point-of-view, identity, and appropriation raised by The Seep.

M: I was reading about your play Leap and the Net Will Appear. You talk about the play coming to you after a silent retreat. I wondered about what the balance between writing-as-inspiration and writing-as-carpentry was for you?

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“A wonderful way to tell yourself a story” – Interview with Chana Porter, Part 1

Playwright, novelist, and education activist Chana Porter joined me to talk about her new novel The Seep

In the book, Porter imagines an alien invasion of an unusual kind. The Seep find their way into the Earth’s ecosystem and cause every living being on the planet to become connected. “Capitalism falls, hierarchies and barriers are broken down; if something can be imagined, it is possible.”

Trina Goldberg-Oneka, a middle-aged trans woman, is the book’s protagonist. An artist who retrains as a doctor after the invasion, she cherishes “the casual overthrow of everything that had felt codified but broken for so long“ — until her partner Deeba decides to use the Seep’s power to be reborn as a baby, moving on to a new life. The book follows Trina along her spiral of grief as she begins a strange quest in a transformed world.

Our conversation touched not just on the novel, but also Porter’s plays and her work as an education activist. She is a founder of the Octavia Project which brings together young women and trans, gender non-conforming, or non-binary teens to create speculative fictions offering “new futures and greater possibilities for our world”, blending creative writing, art, science, and technology.

Part 1 of the interview is below, or you can read the whole thing right now as a PDF transcript.

I began by asking Chana about her first glimpse of the idea that became The Seep.

C: There’s a secret book that probably no-one will ever see, written from the point of view of a teenager in my hometown. 

I was really intrigued by this concept of an Invasion of the Body Snatchers style alien takeover, without it being a cut-and-dried thing of “This is good, this is bad.” This is also the feeling I have when I watch the 1978 Body Snatchers movie; it feels so brutal because we don’t really understand what these beings are feeling or what they care about, but the more that we understand as a scientific community about how trees communicate with each other, and protist communications, the more we question: what is alive? What is a life? What is social? What is a community?

When you use the lens of a horror film to reflect on these issues, when you consider the destruction we have wrought on the planet, it prompts you to ask: what if it’s not bad? 

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Future health: Oslo and the ‘a-ha’ moment

Our University of Oslo scenarios for the future of schools, out this week, surfaced health, and perceptions of health, as a battleground between parents and institutions in the education sector of 2050.

This was an “a-ha” moment for university researchers seeking new issues to explore around the digitalisation of education.

In scenario planning, we don’t aim to predict the future, but rather to generate plausible visions which can usefully inform present-day decision-making.

The future stories we create together are intended to highlight issues and drivers which exist in the present; the future scenario can then be set aside in order to focus on the issue at hand.

For the Oslo education researchers, a world in which parents and institutions warred over children’s health in a heavily-surveilled society – bickering with ‘the algorithm’ even over when to wipe your child’s nose – highlighted the extent to which their research should explore questions of health and wellbeing.

Today, in the Norwegian news, we see a parent-led Facebook group urging the city to close schools while the municipal authorities maintain that there is no reason yet to do so.

The campaigners argue that if businesses are sending staff home, then young children – who are less able to follow guidelines on infection control, like coughing into your elbow – should certainly go back to their families too.

Questions of distance learning, and education via screens and digital devices, may be sharpened by the current pandemic – even for the youngest children.

How will coronavirus affect the way we teach and learn, in the short and long term? Could it impact even the youngest children, irrespective of whether they contract the disease?

Good foresight work can help communities, institutions, and individuals navigate such turbulent and uncertain situations. You can read more about the Oslo education scenarios project here.

The Digitalisation of Education: Foresight Work at the University of Oslo

On 28 October, the University of Oslo Media & Communications Department brought together researchers, educators, publishers, and representatives of the tech sector & not-for-profits to begin the work of building scenarios that test assumptions about the future of education in Norway.

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I facilitated an iterative process generating three visions of Norwegian society in years to come, exploring social, technological, cultural and economic change – always seeking to capture factors and possibilities which lay beyond the current framing of Norway’s educational future.

This workshop was only the beginning of an ambitious future-facing research programme at the Media & Communications Department, but I hope to be able to share materials with you in due course.

Always get feedback…

Always get feedback…from the workshops and activities that you run.

There’s always something to learn from your participants, something to surprise you, or something to make you smile.

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(That “bit cold” line is about the air conditioning in the venue, not my icy demeanour…I hope!).