ASPAC 2019: Australia on the front lines of human crisis

Is Australia on the front lines of the 21st century human crisis?

Societies and cultures live there which have, for thousands of years, considered that the land itself has spirit and agency.

On the same land, Australia has built prosperity from the extractive industries, using technology to remove resources from the ground in a way which has global impact.

How can these values be reconciled? What part do science and technology centres have to play in the debate about our sustainable future?

My keynote for the ASPAC 2019 science and technology centres conference was covered in the Brisbane Times.

Preparing for Worlds We Didn’t See Coming @ ASPAC 2019

Queensland Museum & Science Centre
Queensland Museum & Science Centre by Wikipedia user GordonMakryllos – CC BY-SA 4.0

“A long time ago, when I was a child, I went to a Science Centre. Back then, there was nothing like it – a truly hands-on space of adventure and learning, in an age when most museums kept their exhibits under glass.

“On most of the Science Centre exhibits, you turned a crank, hoped to see something awesome happen – then read the didactic to see what you were supposed to have learned.

“Pedagogy has moved on, but so has the world. What happens when you “turn the crank” of science and causality breaks down? What happens when social and natural systems collapse, public trust fractures, and old worldviews reveal their blind spots?

“What would the ‘Post-Normal Science Centre’ look like?”

Next month, I’ll be speaking as the opening keynote at this year’s Asia Pacific Network of Science and Technology Centres Conference – ASPAC 2019.

#NotEnoughSciFi: Time of the Clockwork Dutchmen

It’s been a while since the last #NotEnoughSciFi, an occasional series looking at works of science fiction and fantasy which I think might be useful for organisations, institutions, companies, and communities which are trying to get ready for the shape of things to come. See previous entries here.

I had a glorious time with a book last week. Something that hadn’t happened since I was a kid.

I was busy at work and didn’t have much time for leisure reading. So when I started Ian Tregillis‘ novel The Mechanical, I only expected to manage a half-hour or so a night before falling asleep.

Instead, I stayed up through the night to finish the book. The next evening, I started the second volume of the trilogy which The Mechanical begins. On the third night, bleary but compelled, I finished Tregillis’ series. I spent my nights lost in his world. It was heaven on earth.

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The series – called The Alchemy Wars trilogy – is a work of fantasy, not science fiction. It is set in an alternate version of the year 1926 which owes as much to the 17th century as the 20th, where the Dutch and French are the warring European powers whose conflict has shaped global history.

So why does it have anything to teach us in 2019? Read more

It’s the Tyrell Corporation Comedy Hour!

On Friday, 20th October, I was the guest storyteller at Brisbane improv troupe Big Fork Theatre’s “Cool Story Bro“.

At “Cool Story Bro,” the guest storyteller shares tales from their past, based on audience prompts, which then become fuel for improv sketches by the troupe. It’s an interesting format with roots in the work of the Upright Citizens Brigade, which has been home to the likes of Amy Poehler, Donald Glover, and Aziz Ansari.

You can watch Tina Fey doing this kind of storytelling here:

I’m no Tina Fey, but I did my best. My stories came from the audience call-outs “cats”, “whales” (or “Wales”), and “first kiss”. As always with these things, it was entirely terrifying & nerve-wracking right up until the moment you stepped on stage and just had to do it.

I’ve been getting all excited about memories lately – how they blur the bounds between fact and fiction, how they might be shared or transplanted between us. And I like challenging myself to get out of my comfort zone.

I found stories from my life and told them messily and honestly, with plenty of detail for the improv troupe to riff off. In turn, they made skits about talking meteorites, a school for nervous possums, and TV cookery shows. It was fun to see your experiences reworked into something that preserved only the vibe; details warped and reworked into new contexts, themes you hadn’t spotted in your own tale coming to the fore.

Read more

New Marvels, New Lenses: A Podcast

What can relatively young disciplines like information science and the allied health professions tell us about society and pop culture?

This weekend I hosted a podcast featuring scientist-turned-literary-editor Yen-Rong Wong, librarian Rachel Merrick, and occupational therapist Amelia DiTommaso, all based in Brisbane, Australia.

On the eve of a new exhibition at Queensland’s Gallery of Modern Art, these three creative professionals got together to explore Marvel’s superhero movies through new lenses informed by their expertise and experience.

Focusing on Doctor Strange (2016), the discussion embraced magic, mystery, science, history, identity, culture, politics, heroism, and lots of laughter.

From the history of Australian censorship to the dark side of healthcare, challenges in identity and representation, plus the arcane mysteries of  “readers’ advisory”, listen now for a mind-expanding journey.

Cheese, Drugs, and Moonshots: A Science March special for @kylastephan

Kyla Stephan who writes the marvellous Library Ghost blog knitted me a hat for today’s Science March in Brisbane.

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There are rightly some questions to be asked about the march organisers’ approach to diversity and inclusion, but I also thought it was important to show up and be counted in the name of all people who are curious about the world and revise their beliefs in the face of evidence.

In return for my hat, I had to find Kyla an interesting science story.

So here are a few words about drug dosage and cheesy moonshots.

What are the physics of highly compressed cheese and why does it matter?

My favourite science show-off moment was at a conference on Science and Storytelling at the University of Cardiff some years ago.

I was interested in how medics and health workers used storytelling in science, and one of my favourite projects was by an information scientist called Harold Thimbleby (PDF download).

He pointed out that in Europe, about 120,000 hospital deaths per year are caused by drug calculation errors – that’s more people than die in car accidents.

Not all of those errors can be blamed on the staff, however. The automatic pumps which dispense drugs through IVs etc are often difficult to program, and although they look like calculators, they are not.

An example:

A “simple” drug calculation is: how many mL/hr should an infusion pump be set to in order to give a patient 5250mg of fluorouracil over 4 days at a concentration of 45.57 mg/mL?

The simplest correct calculation using a basic calculator is: [AC][MRC][MRC]4 × 24 [MPLUS][AC]5250 ÷ 45.57 ÷[MRC] =

After getting all those key presses right, you then have to go through another round of button presses on the pump, without making any mistakes. All as just one task in your busy day at the hospital.

Professor Thimbleby developed a prototype smartphone app which asked you what the drug calculation was, and the type of pump you were using, and then guided you through the key presses step by step.

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This reduced human error and created opportunities for the user to check and double check throughout the process.

What has all that got to do with a moon made of cheese?

Almost offhandedly, during his talk, Professor Thimbleby spoke of the certainty with which we know the moon isn’t made of cheese. He compared this scientific certainty to the world of storytelling, where we can still indulge that fantasy.

Even without visiting the moon, we can tell it isn’t made of cheese because of its albedo – the fraction of solar energy which it reflects back into space.

Different materials have different reflectivity: for example, ice and snow have a high albedo and cause most of the sunlight hitting them to reflect back into space.

We can work out the albedo of cheese and observe the brightness of the moon to confirm that it is, sadly, not made from dairy products.

But – but but but – what if the moon were made of cheese? How could we indulge that fantasy while maintaining the rigour of critical and scientific thinking?

Do we need to imagine a cheese-moon which is the same size or the same mass?

If the latter, the moon would have to be a lot larger. Nocturnal animals and the science of astronomy would be affected by the larger moon in our sky, with its much higher albedo.

What’s more, a moon sized piece of cheese would be denser and hotter at its centre owing to gravitational compression.

Would there be volcanos of molten cheese? At extreme high pressures, does cheese maintain its integrity, or break down into its component parts? Would the massive internal pressure cause it to explode?

I love that scientists can begin to explore these hypothetical situations without even having to leave the comfort of their armchair – or in our case, the post-march pub.

I love that there is a happy borderland where science and science fiction meet, and valuably so – because they are, ultimately, both spaces of wonder.

Professor Thimbleby made his cheesy digression and showed the value of thinking carefully and critically, reasoning from available evidence – but his work also demonstrates that you could save lives just by paying close attention to technology and human interaction.

He didn’t need to be in the ward to come up with a way to avoid deaths from drug miscalculation, and he didn’t need to land on the moon to work out what it was made of.

How cool is that? Read more