Next Library Brisbane: Interview with Vicki McDonald

This year, the international Next Library conference holds its satellite event at the State Library of Queensland (SLQ) in Brisbane. Information professionals and librarians from around the world are invited to Australia’s ‘Sunshine State’ to explore questions of innovation, risk, and resilience. I spoke a little about why SLQ is the perfect place to have these conversations in a recent video.

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I’ve worked with SLQ since 2016, spending two years with them as their Creative-in-Residence leading special innovation and engagement projects. Most recently, I co-wrote the new vision for public libraries in the state with the University of Southern Queensland’s Dr Kate Davis.

The State Library’s current CEO, Vicki McDonald, became the organisation’s leader part-way through my tenure there, and in 2017 I interviewed her for the Library as Incubator project.

That means it’s a good time to check back in with Vicki and her team – and this week, I interviewed Vicki again. Since she took the top job, what has changed at SLQ? What does she see as the future of libraries? And why is SLQ now inviting the world’s librarians to visit for a discussion about risk and resilience?

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ASPAC 2019: Australia on the front lines of human crisis

Is Australia on the front lines of the 21st century human crisis?

Societies and cultures live there which have, for thousands of years, considered that the land itself has spirit and agency.

On the same land, Australia has built prosperity from the extractive industries, using technology to remove resources from the ground in a way which has global impact.

How can these values be reconciled? What part do science and technology centres have to play in the debate about our sustainable future?

My keynote for the ASPAC 2019 science and technology centres conference was covered in the Brisbane Times.

#NotEnoughSciFi: Writing Futures with Jasper Fforde at the Brisbane Writers Festival

The British novelist Jasper Fforde joined attendees of the Brisbane Writers Festival in Queensland, Australia to explore the creation of plausible, intriguing imaginary worlds in a half-day workshop.

Fforde is known for eclectic genre-bending novels including the Thursday Next series, which follow the exploits of a woman who is able to cross the boundary between literature and her reality.

I was interested to see if Fforde’s work could be useful for strategists and foresight professionals trying to craft evocative visions of the futures we might inhabit. Although his stories tend to be set in wild and comic universes, his workshop had more than a few nuggets of wisdom for people trying to imagine futures they could strategically act on.

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New strategic plan for Supreme Court Library Queensland

I’m pleased to announce the publication of one of my recent projects, the new five-year strategic plan for the Supreme Court Library of Queensland, Australia (SCLQ).

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Queen Elizabeth II Courts of Law, Brisbane by Wikipedia user Kgbo – CC BY-SA 3.0

The project, which ran through 2018 and early 2019, comprised research, interviews, survey and workshop design, plus co-writing the finished plan with Supreme Court Librarian David Bratchford.

Researching and writing the plan gave me the opportunity to explore one of the most fascinating and challenging sectors of the information profession – the law.

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Traditional games, digital spaces: USQ + Queensland Museum Network

In 2017, I spent six months developing special community engagement projects for the University of Southern Queensland (USQ).

I had a wide remit to find new ways to connect with the local community, pilot external partnerships, and encourage innovation in line with a new service model being rolled out across the university’s Scholarly and Information Services division (SILS).

During that time, among other projects, Dr. Kate Davis and I won & delivered the division’s first external tender; SILS partnered with the university’s radio school to pilot podcasts bringing together academic experts, artists, and professionals from across Australia; and we joined forces with Ann Arbor District Library in the US to offer coaching & professional development.

This week saw the announcement of another project coming to fruition: a partnership between staff on the university’s Toowoomba campus and Cobb+Co Museum, the local site of the Queensland Museum Network.

Cobb+Co’s Learning Officer Tony Coonan worked with SILS’ Zoe Lynch and Shane Gadsby to develop a browser-based version of Burguu Matya, a traditional game attributed to the Wiradjuri people.

The game had been available to play in physical form at Cobb+Co’s Binangar Gallery, dedicated to Aborginal and Torres Strait Islander peoples. Zoe and her team of media designers, invited to explore external partnerships, proposed developing an online version which could be played on devices both within the museum and statewide.

The successful small-scale pilot tested the SILS in-house media design team’s capacity for work with external clients,  strengthened relationships between the university and its local community, and explored the opportunities for USQ to enrich the cultural and learning offer for both the people of Toowoomba and users of the wider Queensland Museum Network. The future relationship between the university and the museum will be structured and enhanced by a memo of understanding.

You can read more about the project at the USQ website.

A New Vision for Queensland’s Public Libraries

The new vision for public libraries in Queensland, Australia has been published by the State Library of Queensland.

The vision, which takes the form of a poster co-designed with Meld Studios, is based on research I conducted with the University of Southern Queensland’s Dr. Kate Davis last year.

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You can download the poster for the new vision as a PDF here and read the research on which it was based as a PDF download here.

IFLA and Beyond: Afterlives of Evidence

Trigger warning for death, violence.

This week, I talked about building new partnerships and opportunities for libraries at the IFLA President’s Meeting in Barcelona – a global gathering of library leaders.

We looked at ways to identify fresh connections between libraries’ mission and the goals of other institutions and communities, with a special focus on healthcare.

Then I read about new research exploring whether it is beneficial for bereaved relatives to view crime scene materials after violent death.

This complex and sensitive topic is one which has potential to bring solace to grieving families – but it must be approached carefully.

An article in The Conversation on the benefits of viewing crime scene photographs also draws attention to growing public interest in forensic images, the preservation of those images as cultural artefacts, and their wider circulation in the digital age.

The Conversation quotes legal scholar Katherine Biber pointing out that “we lack a forum to think about…’the afterlives of evidence.'”

Yet the afterlife of evidence is one of the key fields of librarianship.

The issue raised is precisely the kind to which librarians bring useful expertise, experience, and values.

There are questions of archiving and access; of sensitive work with clients in difficult emotional circumstances; questions, too, about the media and context in which this material is shared.

All of this lies firmly within the territory of today’s librarians and the experience of knowledge workers like my friend and former Auckland Libraries colleague Natasha Barrett. Natasha, in addition to her library work, has held roles with the duty of repatriating Indigenous remains from cultural institutions.

So could librarians be leading this conversation with police, social workers, and representatives of the bereaved?

The Conversation authors also write that:

We need to move away from approaching grief as a medical event subject to diagnosis, and instead turn our attention to the diverse needs of family members as they comprehend the realities of death, and the meanings of that death in their own lives.

This, too, is a wider discussion to which libraries can contribute – as in a 2016 “death literacy” panel discussion which I ran for the State Library of Queensland. That event, recorded as a one-off library podcast, formed part of a “microfestival which explores, challenges, and celebrates our understanding of death, dying, and bereavement”.

 

These wider public engagements sit alongside the more sensitive work required to deal with individual forensic archives in the context of violent death, and alongside work with health practitioners as well as the general public.

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In both broad public engagement and private sharing of forensic media, there is a significant opportunity for brave, principled, and caring knowledge workers to enter this difficult terrain and bring their skills to bear on how families and communities deal with the end of life.

Elevate!

Rachael Rivera in Library Journal's Movers and Shakers 2018 awards

Last year, I was invited to give a keynote speech at Aotearoa/New Zealand’s national library conference, LIANZA 2017.

I wanted to realise a long-held dream and present a collective keynote with a number of Australian & New Zealand colleagues sharing the stage, but it wasn’t practical for LIANZA to fly a whole group of us across the Tasman Sea.

(They did, however, kindly accede to one request and arrange a special funded session on Indigenous Knowledge Centres, led by my brilliant Queensland colleague Lesley Acres).

In the end, we contrived a way to deliver a unique collective keynote – by taping my mouth shut and inviting members of the audience on stage in an hour-long series of creative, constructive, collaborative activities.

For me, the highlight came at the end of the keynote session, when two special guests materialised.

We had arranged for Auckland Libraries’ Rachael Rivera & Hamish Noonan to attend the conference in secret, taking the stage to conclude our keynote.

Rachael’s concluding comments triggered a debate about libraries and homelessness on national media in New Zealand, and gave both Rachael and her Kiwi colleagues the opportunity to stand up for library values, articulating their commitment to equity, justice, and access to the world of knowledge and culture for all.

In October, US librarian Justin Hoenke approached me to co-nominate Rachael for the American Library Journal‘s annual Movers & Shakers Award, highlighting professionals who have done exceptional work in libraries around the world.

Today, Rachael was announced as a winner of the 2018 Movers & Shakers Award and her friends & supporters worldwide are justifiably celebrating. From her days back in suburban Auckland to current international glory, including her own individual library keynote in Edinburgh,  Rachael is one of the greatest heroes of public librarianship in 2018.

Voices like hers deserve to be elevated. Look her up. Learn from her. Change the world for the better.

Read more about Rachael’s Movers & Shakers nomination at Justin Hoenke’s website.

USQ Podcast: Eurovision to Eudaimonia

The final pilot podcast from my 2017 project at the University of Southern Queensland (USQ) just went live.

The project explored ways for the university to engage a wider audience and connect with the community beyond recruitment, research, teaching and learning.

USQ’s resident Eurovision expert, humanities lecturer Jess Carniel, was joined by Neil Martin of the USQ Digital Life Lab and Lee McGowan, who researches the history of women’s football at a neighbouring institution, Queensland University of Technology.

Their conversation ranged from the history of women’s football to Aristotle’s views on “eudaimonia” and a life well-lived, politics, performance, and the fate of Katy Perry’s Left Shark.

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Check out the latest USQ podcast episode online now.

You can also listen to previous instalments from USQ Astronomy Festival and Bluestocking Week for women in higher education.

The USQ Podcast

The University of Southern Queensland (USQ) has piloted a new podcast at the end of a six-month community engagement project with their School of Information and Learning Services.

The chatshow-style podcast offers a new medium to bring university experts together with a wider audience, to explore new ways of sharing knowledge, and to stimulate conversations between USQ staff and peers in other institutions.

Staff and students from USQ’s radio school joined forces with REDTrain, the university’s Researcher Development and Training Team, to identify USQ researchers who could speak to contemporary issues for a wide audience. We then partnered USQ speakers with peers in museums, the arts, sciences, and other universities to broaden the conversation and stimulate debate.

Three pilot podcasts were recorded in late 2017, with the first episode launching to mark USQ’s Astronomy Festival.

A second edition celebrating women in academia has just gone live.

Visit the USQ podcast platform, Whooska, to hear more.