matt finch / mechanical dolphin

I believe in Space…and Desire: Jessica Begley on library design

March 26, 2013March 29, 2014Mechanical Dolphin

A guest post by urban planner turned librarian Jessica Begley. What can libraries do to help users make the most of their spaces?

Like the Pixies, I believe in Space.

I have been fascinated by how and why people use space, and how subtle design can influence behaviour, for as long as I can remember.

As a teen, I merged this interest in social geography with psychology and came up with a degree in Urban Planning and Design. I was going to change the world. Improve open spaces. Create spaces people felt happy in. The reality I found was far from my planned dream. Rows of brickwork, overshadowing, trellis screens, and complaints all dominated my day. Not even I liked the spaces I was approving. Approving, not designing.

Fast-forward fifteen years. I am still an urban planner, but only in my mind. I have been trained to look at spaces, movement of people, land use, all in a certain way. I can no longer look at a space like an ordinary person. Taking my kids to the shops, the park, the library, I analyse the flow of movement through space. When I see conflicting uses, I see a design-based solution. When I see desire lines – the unplanned paths naturally taken by people in any setting – I read them.

Libraries learning from retail: Interview with Oxford’s indie music mecca, Truck Store

March 21, 2013March 21, 2013Mechanical Dolphin

This is the third in a loose trilogy of blog posts exploring libraries and music: previous features include a guest post by Stewart Parsons of Get It Loud in Libraries and an interview with rapper-educator Professor Elemental. Today, we’re joined by Carl Smithson, the manager at Truck Store, an amazing indie record shop in Oxford, England.

After attending the Foyles Futures workshop on next-generation book retail in London, I’ve become increasingly concerned with design and atmosphere in libraries. Great service and effective presentation of collections are vital for any 21st century public library.

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Keeping things fresh: Steampunk rapper Professor Elemental on hip-hop and education

March 14, 2013March 15, 2013Mechanical Dolphin

Today we’re joined by Paul Alborough – a witty British rapper who “hosts, performs and teaches hip-hop in more ways than you can imagine” in the guise of steampunk cleverclogs Professor Elemental.

Paul’s been interviewed many times about his music, but as I’ve recently started working in South Auckland, with its strong hip-hop culture, I was especially excited by his former career as a special needs educator, and his ongoing commitment to youth development through hip-hop workshops.

I began our interview by asking about Paul’s time as a teacher.

The truth is that I stumbled into it, having realised that I hated or had been fired from every other day job that I could possibly think of. That, and a natural affinity with children, who always seemed a lot more fun to hang out with than adults, led me to the world of education.

“I much prefer it when libraries are less about archiving the past, and more about presenting culture today”: Stewart Parsons on “Get It Loud in Libraries”

March 5, 2013March 15, 2013Mechanical Dolphin

Marina and the Diamonds getting loud in libraries! — Marina and the Diamonds – image (c) Frances Ross

Libraries are utterly thrilling places. At least they ought to be. They should wow the pants off people. Shouldn’t they? All that free stuff. All that culture. All that Keatsian poetry to woo the ladies, and bomb-like knowledge to help pave your way in the world. What’s not to like?

I have long held the belief that a library user should leave a library a more enlightened, brighter, happier, braver, more empowered individual compared to the same person that first went in. In modern TV-land, the romance of people “going on a jouney” is increasingly paramount.

People go on journeys in libraries every day. Maybe we just don’t shout about it enough?

But for that to happen, for that surging flood of the imagination to take place, for the journey to take place at all, the original resources often need to be re-imagined. To be presented in a way that is fresh and appealing and meaningful. Especially to the young.

February 20, 2013Mechanical Dolphin

My 2012 Zombies in the Library event in rural New South Wales has just been featured as an online ‘how-to’ feature at The Library as Incubator Project – http://www.libraryasincubatorproject.org/?p=8939 – a U.S. scheme highlighting the way that libraries and artists can work together.
Last month, British playwright Fin Kennedy wrote a compelling piece for the Oxford Culture Review on the value of arts collaborations with the higher education sector. He writes:
“When these sorts of collaborations work well they’re a brilliant two-way street; arts organisations get a share of Universities’ physical resources and manpower, Uni students get professional experience and links with industry, and inner city young people get friendly and accessible contact with Higher Education. And it all costs hardly anything – the ingredients are all there. It just takes a creatively-minded individual to bring them together. I’m a big advocate of artists taking that role. As freelancers we’re in a strong position to broker those relationships between organisations we all already have links with anyway.”

The Oxford Culture Review

Following a meeting with Culture Minister Ed Vaizey, award-winning UK playwright Fin Kennedy is running a campaign to raise governmental awareness of the effects of arts funding cuts upon theatres. I spoke to him about the project and the importance of the arts in Britain.

To anyone who doesn’t know about your campaign – what are you trying to achieve, and who can get involved?

Last month I met Culture Minister Ed Vaizey at a Writers’ Guild event at Parliament. He claimed that the recent round of swingeing cuts to public investment in the arts were having no impact at all on the development of new plays in the UK. I knew from my own experience of seeing the theatre industry I work in contracting all around me that this wasn’t true, but there are surprisingly few facts and figures available. Vaizey said he would look over any evidence I could…

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Respect, innovation, and cheeky pancakes: thoughts on the future of bookstores and libraries

February 13, 2013March 15, 2013Mechanical Dolphin

So, a big announcement has been in the works for some time: from 25th February I begin a six-month contract as adviser to Auckland Libraries, the largest public library network in the southern hemisphere. The mission is to extend and enhance Auckland’s already superlative library offerings for children and young people with creative, challenging, and sustainable activities for the future.

I feel confident that we’re entering an era of swashbuckling literacy adventure Down Under. Auckland is the city where kids play a Kiwi-themed version of Angry Birds in their libraries; the city whose librarians already talked Bryan Lee O’Malley into letting them use Scott Pilgrim as the face of their comic book events and wooed Amanda Palmer into giving an impromptu Get Loud In Libraries-style guerilla gig.

Before Auckland beckons, I’ve been looking at the latest developments in the UK and US. The Future Foyles workshop held on Monday of this week brought together publishing, retail, and literacy professionals seeking a vision for London’s next great flagship bookstore – you’ll see me quoted in The Bookseller’s report of the event – and finding much food for thought from a wider community outreach perspective.

Guest post: Steve Saville on comics and creativity, part 2

January 31, 2013Mechanical Dolphin

In the second part of his guest post for Books and Adventures, Steve Saville of Alfriston College in Auckland, New Zealand, discusses the lessons to be learned from his pioneering comics in the classroom workshops.

Most educators currently involved in secondary schools in New Zealand would agree that creativity is a good thing and that it needs to be encouraged; that we need to nurture and encourage the creative young people who will solve the problems posed by our ever changing world.

We can all look to our own school environments and proudly detail how creativity is nurtured, encouraged, and celebrated in our schools. We provide ample opportunities for writing, artistic expression, the creative use of digital technologies, dance, and drama. Our schools have bands, singers, sculptors. We offer classes in creative writing and philosophy. It can be argued that we have countless opportunities for young people to express and develop their creative skills.

We can also think of numerous teachers that we would classify as creative in their approaches, talented educators who find new and exciting ways to get their learners thinking. Teachers who challenge thinking by making learners ask questions and by asking learners to seek the relevance and authenticity of material studied.

All of this is totally correct – but is it enough?

It may be creative to enable a learner to write a story, to perform in a play or to design a web page but who chose the play and who decided the topic and who wrote the brief?

There is a difference between asking a learner to produce a creative response to something on a particular day, as part of a particular programme of work, and allowing an individual to be creative.

More profoundly, how can creativity flourish in schools, which are essentially non-creative environments?

Guest post: Steve Saville of Alfriston College, Auckland, on comics in the classroom

January 27, 2013January 30, 2013Mechanical Dolphin

Today, we’re joined by Steve Saville, deputy principal at Alfriston College in South Auckland. For four years, Steve has championed the use of comics in the classroom through a series of innovative workshops which have allowed students to develop and publish their own high quality comic books. In the first of a two-part guest post, Steve tells the story of Alfriston’s unique comic book education project.

See more on comics in the classroom via the “comicsedu” tag on this site.

Like most teachers, I can think of numerous times that I have attempted to encourage or develop creativity with students, both in and out of the classroom. Like most teachers, my in-class efforts have fallen firmly in the realm of teacher-directed, and therefore dictated, creativity.

Comic book learning in action at Alfriston College — Comic book learning in action at Auckland’s Alfriston College

More recently, I’ve spent a few years encouraging learners to genuinely take control of the creative process, exploring creativity through the medium of comics. The aim has been to produce original comics that are of a publishable and professional standard. I have done this within a single school environment, Alfriston College. A potted history of our programme follows.

Dirty Library Trilogy, part 3: What Can Libraries Learn from Roller Derby?

January 14, 2013January 14, 2013Mechanical Dolphin

In the last of three features pushing the boundaries of what librarians can learn from pop culture, Melburnian writer and roller derby official Jordi Kerr tells us what libraries can learn from the glamorous, full-throttle sport of roller derby.

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Dirty Library Trilogy, part 2: Readers’ advisory at the World’s Freakiest Bookstore

January 4, 2013Mechanical Dolphin

In the second of three features pushing the boundaries of what librarians can learn from pop culture, we take a visit to Melbourne bookstore Polyester Books and talk readers’ advisory with one of the most provocative booksellers I’ve ever met.

Polyester Books – the self-proclaimed ‘World’s Freakiest Bookstore’ – spells trouble. It did from the moment I discovered it.

I was visiting Melbourne for the first time and a friend recommended an alternative bookshop at the far end of Brunswick Street in Fitzroy.

I had no idea where this was, so on a visit to the State Library of Victoria, I asked one of the youth librarians to help me find it. She googled ‘Polyester Books’ on a State Library computer terminal and we were both immediately confronted with the store’s incredibly NSFW logo.

As Polyester proprietor Jo Emslie puts it, “If that sign upsets you, don’t look around our shop, ‘cos your head’s gonna explode!”

: Polyester Books, Melbourne

Yet Polyester’s commitment to supplying all kinds of books, DVDs, zines, art, and periodicals is deeply relevant to the mission of 21^st century librarians. I dropped in to the shop for a browse and was impressed to find the likes of obscure Austrian novelist Hermann Broch on the shelves alongside the more eyebrow-raising fare.

So what can librarians learn from the World’s Freakiest Bookstore?