LIANZA #Open2017 – Future Sound of Libraries / The Process

This is part one of a three-part series on the LIANZA #Open17 library conference.

In August last year, the organisers of LIANZA Open 2017 invited me to be a keynote at their conference, the national gathering for the librarians of Aotearoa New Zealand.

Last week, it all happened – an incredible adventure which brought the audience onto the stage, delivered a library service within the keynote hall itself, and got us coverage on New Zealand’s national news.

So what exactly took place over in the city of Christchurch, how did we get here, and what can we do with the experience? If I share with you not only the product, but the process, could you see your way to trying something like this…or even going beyond what we achieved in New Zealand?

Read more

A Romance on Three Legs: The Ivory Archives / @IAMLaustralia

Is a library just a machine for making knowledge?

In such a place, can a piano be a research tool?

Why did a Kindertransport refugee from the Nazis acquire Glenn Gould’s favourite instrument for the National Library of Canada?

36_gould-piano-cd-318-2

Photo by National Arts Centre Archives, Canada

In advance of Australia’s 2017 IAML conference of music librarians, you can read the story of Gould’s beloved Steinway CD 318 over at Library as Incubator.

Check out “A Romance on Three Legs: The Ivory Archives” now.

Surfing to Salford: @Mozlandia and The Long Fetch

“We look to Los Angeles
For the language we use
London is dead, London is dead…”

I never really listened to a lot of Morrissey, thinking about it. I mean, I had a bit of a Smiths phase at university and I put ‘Last of the International Playboys‘ on the mixtape for a stag do once — that’s about it.

Then Ziba Zehdar-Gazdecki, a cool librarian from Los Angeles, shared photos from a book event on social media.

Mozlandia? I had to find out more.

Read more

Sing Me A Library: @IAMLAustralia keynote 2017 in Canberra #IAMLCBR

I’ll be back in Canberra on 28th September to give the opening keynote of the music librarians’ conference, IAML Australia 2017.

8f8b271c241a1f6aff71f9f078934602
Mike Allred, “MADMAN”

“Sing Me A Library” will explore managing knowledge through sound, and outline some future directions for music-led information science.

Coming hot on the heels of my trip to New Zealand, you can expect something a little lively and a little bit different – raising the stakes from last year’s journey into TV themes, cultural history, and heavy metal.

You can see the full IAML Australia programme (PDF download) here.

Marvellous, Electrical feat. @drjessc – Couldn’t Escape If I Wanted To

“The world comes together every four years to compete in the soccer World Cup and the Olympics, but there are very few global events that celebrate the cultural as spectacle. We could argue for the Nobel Prize in Literature, but their budget for wind machines and holograms is notably lacklustre.”

hooch

Eurovision scholar Jess Carniel talks wind machines, geopolitics, and European identity while we get to the bottom of Brisbane’s moonshine industry in the latest instalment of Marvellous, Electrical.

Beyond the Wall of Sleep

Melbourne-based digital artist Peter Miller, who featured in last month’s Library as Incubator piece on the links between libraries and musicians, has released a new piece: Beyond the Wall of Sleep.

The piece blends H.P. Lovecraft, NASA recordings, and a reading of the rules and regulations of the Insane Asylum of California, drawing on material from Librivox and Prelinger Archives.

You can read more about the history of Beyond the Wall of Sleep at Peter’s website, and read about how libraries, archives, and multimedia artists might work together in Library as Incubator’“Sing Me A Library”.

Or just enjoy the spooky video, above.

Sing Me A Library

My latest column for Library as Incubator explores the links between libraries and musicians, from Glenn Gould’s radio documentaries to English community choirs and digital experiments in today’s Australia.

Read “Sing Me A Library” at Library as Incubator.

Local History, Local Music

Got to love a conference which takes place in a pub: I’m speaking at next week’s Australian gathering of the International Association of Music Librarians, and the venue is Brisbane’s Ship Inn, a “rowdy sailors’ drinking den now transformed into a civilised gastropub”.

My paper’s called “Wondrous Strange, Marvellous Electrical” and it’s scheduled for the afternoon of Friday, 30 September. I’ll use a playlist to explore musicality, play, makers, archives, uncomfortable histories, and information science in the digital age.

It’s not too late to sign up for the conference via their Eventbrite page.

Attendees will get to hear a bit of Powerwolf during my presentation, but sadly Mina’s ‘Se Telefonando’ didn’t make the cut.

It’s lovely, though, so have a listen below:

 

Rock and Roll Writers’ Festival: Playlist

My playlist is up for Brisbane’s first Rock and Roll Writers Festival.

Growing up at the tail-end of the mixtape generation, compiling songs was a way of connecting with friends and strangers alike, all through high school.

Now Leanne de Souza and her team at the Festival are working with the team at Playlistr to share music selections from Festival contributors and friends.

If you’re not a Spotify user, you can find my mixtape on YouTube, too.

And the one must-listen track is this…sweet video, too.