Fandom and literacy – A conversation with Ludi Price

The latest instalment of Scripturient, my column for Information Professional, is out now.

In this series, I’m looking at how we can push the boundaries of literacy in the 21st century, to encompass new areas of representation. What does it mean to read the future? To read risks? To read the forces that underpin our relationships and drive us psychologically? To read the signs and signals which exist in the natural world? If we look outside of the institutional and habitual ways of doing things, will we find fresh and useful insights?

In the latest issue of Information Professional, I talk to the librarian and scholar Ludi Price about her research into fan information behaviour: the ways in which communities of people with a shared passion for pop culture manage, organise, and distribute information relating to their fandom.

You can read Ludi’s thoughts about “fan literacy” in a PDF download here, or get your own copy of Informational Professional magazine here. And you can also hear our full conversation in podcast form on Soundcloud.

DNAInfo

I surfaced from my holiday to hear that Joe Ricketts, CEO of the news sites DNAInfo and Gothamist, has closed both enterprises a week after staff decided to unionize with the Writers Guild of America.

The abrupt move has shut down the sites entirely, so that even archived news stories are now unavailable.

I only wrote a couple of times for DNAInfo, but they were a place of welcome for me in New York and gave me valuable experience putting together local news stories through words and pictures.

Both the pieces I created for them, on New York-Presbyterian Hospital’s Reach Out and Read programme and the NYC Kids Food Festival, explored projects at the junction of literacy, culture, play, health and wellbeing – a place I still work today with Australian organisations like Metro South Health Board and the Griffith University School of Allied Health.

I’m grateful to the DNAInfo team for the kindness and collegiality they showed me on my visits to New York, and hope that all of their reporters and editors move on to better and brighter things.

Becoming death literate – panel discussion

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After Brisbane’s first Deathfest – a microfestival which explores, challenges, and celebrates our understanding of death, dying, and bereavement – I’m pleased to share a panel discussion which addressed grief, death, and end-of-life care in modern-day Queensland.

Joining me were Fiona Hawthorne, general manager at Hummingbird House, Queensland’s first children’s hospice; Ian Mellor, who manages body bequests for Queensland University of Technology; and Dr Sarah Winch, healthcare ethicist at the University of Queensland and author of Best Death Possible.

In an age when literacy has come to mean so many things – always with a sense of empowering people to read or make sense of some new terrain, topic, or experience – what would it mean for us to become truly “death literate”?

You can listen to the panel discussion now by clicking on this link or visit the State Library website.

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For more on healthcare and wellbeing work during my Queensland residency, read  “On Health and Wellbeing” and “Giant Robots Need Therapy Too“.

For more on Deathfest, visit the Metro Arts website.

Interview with ABC Capricornia: Adventure, experience, participation

Rockhampton riverside, Central Queensland
On my last trip to Rockhampton in Central Queensland, I was interviewed by Chrissy Arthur of ABC Capricornia. We talked about some of my projects in Australia and New Zealand, the role of public libraries in 2016, and this year’s upcoming Fun Palaces across Queensland and worldwide.

The best part was talking about how creativity isn’t determined by your pay grade – anyone can have a bright idea, and a role like mine is as much about listening to organisations and their communities as it is ‘thinking up cool stuff to do’.

You can hear ‘Zombies, Burlesque, Cardboard, and Coffee’ on ABC Capricornia’s Soundcloud account here.

Holes in maps look through to nowhere: Games as criticism

Australian arts journal The Lifted Brow has just published my review of Nick Sousanis’ doctoral-thesis-as-comic-book, Unflattening.

Unflattening by Nick Sousanis

The review is a little different – it’s an online choose your own adventure, which sees the reader trapped in a mysterious library, trying to locate Nick’s book and escape in one piece.

I built the adventure using Twine, the same piece of free software which we used at Auckland Libraries to create our online zombie game City of Souls.

The game marks the culmination of a long period I’ve spent exploring what it means to write criticism of other people’s work.

In recent months, I’ve reviewed comics for academic journal The Comics Grid and New York art paper Brooklyn Rail; I’ve written about Hasbro’s Transformers for The Cultural Gutter, a Canadian site devoted to “disreputable art in all its forms”, and I’ve explored the world of fan criticism together with James David Patrick from The James Bond Social Media Project. 

The Lifted Brow piece is something special to me, though. It comes from being persuaded of Nick Sousanis’ case, in Unflattening, that the traditional priority of words over illustrations is wrong: words and images cannot be explored separately from one another.

Reading the book, it becomes difficult to feel satisfied with comics criticism that deals in words alone. Alternatives like Terry Elliot’s experiments with digital annotation of Unflattening look increasingly appealing; therefore I decided to create my response to Unflattening in the form of a game: a set of sequential incidents which the reader can navigate at will – rather like the panels of a comic book.

See my review of Unflattening over at the Lifted Brow website.

Team Waitangi: Teaching against the grain in West London

Team Waitangi, a group of West London teachers, dress up as the cast of Cinderella

Ngā mihi o te Kirihimete, West London

Team Waitangi got its name five years ago, just before Christmas. I was teaching what the Brits call infants – 4 to 7 years old, specifically Year 1 or 1st Grade – in a deprived suburban corner of West London. Our staff were pretty diverse, with teachers from New Zealand, South Africa, and Australia. The school served a diverse community, too: most kids were from families that didn’t speak English at home, new migrants who had come to us from Somalia, Iraq, Sri Lanka. Celebrations like Ramadan and Diwali were more important to our kids than, say, Easter. Even more than usual, this meant I did as much listening as talking, as much learning as teaching.

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Reader-in-Residence article in SCAN Magazine

Parkes High School’s teacher librarian Tracy Dawson has an article in the latest SCAN magazine about the Reader-in-Residence role which I held in Parkes across late 2013 and early 2014.

The role was designed to link the school and wider community in a celebration of storytelling, literacy, and culture in all its forms. Events included teen publishing workshops, our biggest ever zombie roleplay, urban myth writing, and the inaugural Central West Comics Fest, which will be returning in 2015. I also mentored high school students, led sessions for the Parkes writers’ group, and worked with the school’s special needs unit.

Tracy gives a teacher’s perspective on how trying new things, pushing boundaries, and reaching out to a wider community also yielded great benefits to students at the high school. You can also read her guest posts on this site about Auckland’s XXUnmasked project and the work of a teacher librarian.

SCAN magazine is a refereed journal published by the New South Wales Department of Education, focussed “on the interaction between information in a digital age and effective student learning.” You have to subscribe for recent issues, but the archive is publicly available – I’ll let readers know when the current issue moves into the free archive.

Fun Palaces 2014 launch in Parkes, Australia

We’ve had an amazing start to the Fun Palaces weekend here in rural Australia. So far, since our doors opened, over 260 people have come to try their hand at the challenges we devised together with local kids. That’s great numbers for a small rural community.

To see how we got to this point, check out the previous posts on making games with your community and adapting tabletop roleplay for your library.

You can check out pictures from today at Parkes Library’s Instagram account…and there’ll be more from Australia’s first Fun Palace tomorrow!

Award-winners Parkes Shire Library share the secrets of their library programming

Last night, Parkes Shire Library won the Australian library association ALIA’s Bess Thomas award for innovative work with children and young people. I’ve been working with the Parkes community for some years now, and I’m proud to have played a part in their journey to national recognition.

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It’s great for Parkes’ librarians, serving a community of just 15000 out in Central West New South Wales, to have their daring work celebrated by peers at a national level.

If you want to steal some of the Parkes magic, you can find “how-to” articles and resources for some of our most exciting programmes online:

Keep your eyes peeled for more surprises as Parkes kicks off the 2014 season of activities this month…