Captain Marvel!

Ms Marvel from The Superheroes Special Edition - British Home Stores

So you’ll have seen the announcement that Marvel is finally going to give us a female-led superhero film in Captain Marvel, due July 2018. I’m pleased, of course, that they’re making space for a badass, awesome woman to be the lead in a Hollywood superhero franchise, especially one tied to the current Marvel money train. But also because Captain Marvel – then Ms. Marvel – is one of the first superhero comics I read.

Back in the mid-eighties, the department store chain British Home Stores put out a hardback annual called The Superheroes Special Edition, filled with old Marvel reprints. My mum bought me a copy as a present; I read it over and over, put a glittery name label on the inside cover, and took it into school. I remember the X-Men facing off against Sentinels, the Fantastic Four pitted against alien dopplegangers, and the Silver Surver fighting the Abomination – all supremely awesome to the five-year-old mind.

But my very favourite story came from Ms. Marvel #5. In it, New York magazine editor Carol Danvers has a premonition that a “Super-Truck” of radioactive cargo is going to be attacked. Carol has to transform into Ms. Marvel, an alien alter ego with a separate personality from Carol’s. Not only is she at war within, but when she goes to protect the truck, Ms. Marvel is mistaken for a villain and attacked by another superhero, the Vision.

Ms Marvel #5 - Day of the Doom Wagon

I remember being captivated by this story. A superhero who was at war with her secret identity; a superhero who had to fight “proper” heroes who didn’t trust her; a superhero who uses trickery to triumph – as in the page at the top of this post, in which Ms. Marvel sets a trap for the Vision. With stories like this, I took it for granted that of course girls could be superheroes too – not just token characters, but strong protagonists facing complex challenges. Ms. Marvel was unquestionably cool in the same way that Mildred Hubble from The Worst Witch and Dinah from the Demon Headmaster books were. I have to thank my mum for buying me all of these books and introducing me to all of these awesome characters. Thanks Mum!

I’m really pleased that kids who grow up with the next generation of Marvel movies, boys and girls alike, will also see Carol Danvers battling baddies and saving the world.

Aussie high school librarian Tracy Dawson discusses feminism and media literacy with a team from Auckland Libraries and Auckland University of Technology in this blog post, XXUnmasked.  You can read a group discussion about comics for girls at Comics in the Classroom: Supporting Female Students, part one and part two. And I wrote a bit on the limits of grim male superhero characters at Here Comes Your Man: Time For Some Smiling Superheroes?

Comic Book Dice: A Sequential Storytelling Game

Comic Book Dice is a playful 3D adaptation of Jessica Abel and Matt Madden’s “Panel Lottery”, a comic creation activity for all ages.

I first trialled this activity at a youth event for the Museum of Contemporary Art and Design in Manila, Philippines, and subsequently ran it with high schoolers in Parkes, New South Wales, hosts of the Central West Comics Fest.

You’ll need cardboard cubes, drawing materials, and a picture featuring three character models. Abel and Madden use these figures:

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Adventures on the Front Lines of Modern Librarianship – Guest Post from Adrienne Hannan of Wellington City Libraries

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Over the past couple of years I’ve run a number of projects testing the limits of the 21st century library – from online interactive storytelling to retail partnerships, live roleplay, and play-based learning for all ages.

With many community libraries in crisis, facing cuts and ignorance about their vital role in public life, the aim of these projects was to swiftly and dramatically push the boundaries of contemporary librarianship, setting precedents that could be exploited and developed after the first flowering.

One of my favourite places to visit during these adventures has been Wellington, New Zealand. Aotearoa’s capital city is small but lively. Its library ranks include the formidable Adrienne Hannan.

NZ Army reservist Adrienne invented the notion of the “Strategic Librarian” – a doctrine which sidesteps old-school leadership thinking to encourage innovation and accomplishment at all levels of a library organisation. Such an attitude is sorely needed if Australasian libraries, sometimes worryingly centralised, are going to avoid the fate of their kin in the UK.

In this guest post, Adrienne discusses some of Wellington City Libraries’ recent adventures on the front line of modern librarianship.

Getting back to human basics with our school holiday activities

At Wellington City Libraries we are intent on bringing stories alive for children and creating interactive experiences with them, so have embarked on a different way of running our school holiday activities recently.

We recognise that books, long seen as the bread and butter of libraries, are just a conduit to literacy, and children may require some kind of stimulating experience with the book to give it memorable context.

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Write and Draw Your Own Comics Available for Pre-Order

Usborne Write and Draw Your Own Comics by Louie Stowell

 

Blimey, between this and the pre-orders for the 2015 Library Innovation Toolkit, it’s getting to be like the Home Shopping Channel over here.

Earlier this year, I was a consultant on the new Write and Draw Your Own Comics, created by the talented Louie Stowell and a range of brilliant artists for the children’s publisher Usborne.

Some of the activities in the book got field-tested by the kids and teens of Auckland, New Zealand, during my stint there last year and I can vouch for the finished work as being pretty freakin’ awesome.

Write and Draw Your Own Comics is out this October, but you can pre-order the book via the Forbidden Planet website now – looks like they’ve dropped the price by a couple of quid for early birds too.

Radio, radio: Australian Broadcasting Corporation coverage of Central West Comics Fest

The final preparations are being made for the first Central West Comics Fest this weekend, bringing together retailers, comics creators, and fans from across New South Wales to celebrate the art of graphic storytelling.

You can hear an interview with me and Parkes branch librarian Tracie Mauro on the ABC website by clicking on this link (mp3 audio). You can also read more about the festival on the ABC website.

If you live in the Central West and love comics, we look forward to seeing you on Saturday!

Information for the 2014 Central West Comics Fest

Central West Comics Fest, VALA, Parkes Writers’ Group, Sci-Fi and Squeam

Aaaand we’re……back from the long summer holidays in the sweltering Aussie heat! And straight into the whirlwind of adventure.

Saturday, February 15th 2014 is a historic date for comics fans of all ages from across the Central West region of New South Wales – marking the first comics festival for this part of rural Australia.

Australian comics creator Pat Grant, author of the acclaimed meditation on youth, migration, and coastal identity Blue, will be offering workshops to adults and older teens alongside Marcelo Baez, who has drawn for everyone from Marvel to Microsoft, National Geographic to GQ Magazine, and will be schooling us in the ways of comic-book storytelling. In addition, the lovely folk at Sydney’s Kings Comics are venturing out of the CBD to offer their wares to people from across the region – a chance to peruse and purchase the latest comics, merch, and memorabilia without making the epic voyage all the way to Sydney.

More information can be found on the Central West Comics Fest poster:

Information for the 2014 Central West Comics Fest

In related news, I was recently interviewed for Melbournian radio station Joy FM’s Sci-Fi and Squeam podcast, talking about pop culture, libraries, and, inevitably, zombies, with the smart and suave Emmet O’Cuana – you can find my segment on their podcast, from 26:50 on the Joy FM website.

There were also some kind words for Parkes Writers’ Group from 2013 Banjo Patterson Poetry Award winner Jim Cassidy (although I’m not sure how I feel about being compared to Andrew Flintoff!) – you can read them at the Parkes Champion Post website here and see the kind of strange, all-ages, continent-hopping, Barbra Streisand-themed activities we get up to at the group here.

Finally, next week sees my keynote speech to the biennial Australasian culture-and-technology conference VALA – expect Doctor Who references, current affairs, the history of librarianship, and musings on hipsterity alongside the usual celebration and championing of public libraries.

<vworp vworp!>

A brief round-up on All Hallows’ Eve

I’m just back from Manila after flitting around Australia and the Philippines for a couple of weeks, running various events for libraries and art galleries. 7 flights in 8 days…that’s more than enough!

Zombies are people too - a survivor tries to escape the zombie hordes in Tullamore with a disguise
Zombies are people too – a survivor tries to escape the zombie hordes in Tullamore with a disguise and some pro-zombie sentiments

On the 10th and 11th of October, Parkes Shire Library ran our biggest and best zombie roleplay event to date, working in collaboration with three local schools, police, firefighters, and student volunteers from Charles Sturt University. We had two days of around 70 people taking part in a 4 1/2 hour unbroken zombie-fighting roleplay with real emergency services. You can see video from the news coverage at the ABC website. 

That event was the culmination of about a month’s work creating immersive theatre and learning activities in country libraries; you can find out more under the Finding Library Futures tag at this site. As the zombie dust settled, I spent a week training librarians around the region before flying to Sydney during the bushfires, which give the city a rather unnervingly apocalyptic skyline:

Sydney skyline - image via @peteresho's Twitter account
Sydney skyline – image via @peteresho’s Twitter account

The next day, I was off to Manila’s Museum of Contemporary Art and Design to give a talk and run another day of events. This included activities like making storytelling dice with comic-book panels on each face:

Teens make comic book storytelling dice at Manila's MCAD art museum
Teens make comic book storytelling dice at Manila’s MCAD art museum

The kids were very cool but it was pretty intense work – in fact, just walking down the street was pretty intense! Tho’ I’ve been to bustling cities in Peru and Indonesia, this was another level of wild traffic, wealth disparity, and sheer volume of humanity. Five minute taxi rides generated impressions that will take a long time to process. I felt privileged to be invited to work with the talented staff at MCAD and the youth museum Museo Pambata.

On my last night in the city, I went to a gallery launch but ended up sneaking off with another artist, Leeroy New (designer of a Lady Gaga dress, not the infamous meat one), to see his exhibition Gates of Hell, which I found utterly wonderful:

Leeroy New as Buddha encased in expanding foam
Leeroy New as Buddha encased in expanding foam

Leeroy’s transgressive, playful, pop-cultural take on the sacred had an impact as soon as you entered the room, yet when you ventured beneath the carapace of oozy foam which encased many of his holy subjects, there was a serious engagement with the numinous and transcendent. Gates of Hell reminded me of one of my favourite novels, Toby Litt’s troubling, surrealist fairytale-for-adults Hospital. With its psychopomps and defiantly rebellious bodies, its unyielding but indefinable laws of magic, It’s one of those flawed yet lingering novels – see this Telegraph review for a decent skewering of the flaws – which, despite it all, I can’t recommend enough.

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I loved Leeroy’s work for recalling the grotesquerie of Bosch as much as the claymation splurge of the British 1980s cartoon Trap Door. Gates of Hell marked a perfect balance between pop culture and traditional spirituality, those two rival paths towards a world beyond the everyday. No wonder Lady Gaga had Leeroy make wearable art for her.

After escaping the Gates of Hell, I chaired an evening panel on monsters in children’s literature for the New South Wales Writers’ Centre (you can see a great write-up here from panellist Nyssa Harkness) before finally flying home (my 7th flight in 8 days)…

To recover from all that adventure, I spent a long weekend in a darkened room with too many comics and now I’m back in the game. Stay tuned for tomorrow’s big interview/discussion piece on e-books, publishing, and the future of libraries…

Update: just to round off the festivities on this ghoulish night, you can find a six-minute recording of my piece There’s No Terror In The Carelessness of Flesh online at Soundcloud. Strictly NSFW – an adult exploration of blood, bodies, desire, and dismay. Happy Hallowe’en!

Busy week, lucky country

It’s been another busy week out here in Central West New South Wales.

On Monday, I interviewed the Australian comics creator Pat Grant for the New South Wales Writers’ Centre. You can read Pat’s comics Blue and Toormina Video online. Pat and I will both be teaching courses at the Centre later this year – Pat’s on Graphic Storytelling and mine on Storytelling for a 21st Century Audience.

Time Travel Detectives poster

Talking to Pat was timely, because I’d just arranged for Sydney’s superlative comic store Kings Comics to send our local library a vast selection of comics on sale-or-return, which we then allowed the public to choose from in a series of all-ages workshops which I ran to determine our new collection. (Kings mistook me for Doctor Who, too, which only endeared them to me more).

Tuesday saw the kick-off of Time Travel Detectives, an immersive role-play programme for 5-12 year olds which invited local children to enter the Parkes Library Time Travel Lab and venture back to 1873 to prevent a time-lost Justin Bieber and his strange minion creatures from changing history and taking over the town.

The event included two new artworks by the Melbournian artist Peter Miller, Spirit Box and the Life Projector, which became Victorian scientists’ devices for detecting the time-travelling intruders – with Peter and his wife Wendy taking on the roles of rival 19th-century inventors battling to outdo one another. Read more

Interview with comic creator Pat Grant for New South Wales Writers’ Centre

Pat Grant cartoon“In an age of touchscreens, desktops, and video-on-demand, the ability to handle visual communication is an advantage for every writer. It’s not always about artistic technique, but a willingness to embrace the use of images to get your message across.”

Read my interview with Australian comic book author and scholar Pat Grant at the New South Wales Writers’ Centre website.

Guest post: Steve Saville on comics and creativity, part 2

In the second part of his guest post for Books and Adventures, Steve Saville of Alfriston College in Auckland, New Zealand, discusses the lessons to be learned from his pioneering comics in the classroom workshops.

Most educators currently involved in secondary schools in New Zealand would agree that creativity is a good thing and that it needs to be encouraged; that we need to nurture and encourage the creative young people who will solve the problems posed by our ever changing world.

We can all look to our own school environments and proudly detail how creativity is nurtured, encouraged, and celebrated in our schools. We provide ample opportunities for writing, artistic expression, the creative use of digital technologies, dance, and drama. Our schools have bands, singers, sculptors. We offer classes in creative writing and philosophy. It can be argued that we have countless opportunities for young people to express and develop their creative skills.

We can also think of numerous teachers that we would classify as creative in their approaches, talented educators who find new and exciting ways to get their learners thinking. Teachers who challenge thinking by making learners ask questions and by asking learners to seek the relevance and authenticity of material studied.

All of this is totally correct – but is it enough?

It may be creative to enable a learner to write a story, to perform in a play or to design a web page but who chose the play and who decided the topic and who wrote the brief?

There is a difference between asking a learner to produce a creative response to something on a particular day, as part of a particular programme of work, and allowing an individual to be creative.

More profoundly, how can creativity flourish in schools, which are essentially non-creative environments?

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