The In Between: Audrey Huggett on Interactive Storytelling in Libraries

Murder. Mayhem. Family strife. Gateways to other worlds. Stories that the audience shapes, and that might run for months or even years.

In a corner of Michigan, one library worker and her colleagues are bringing all these things to life.

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I first met Audrey Huggett in 2017, while working with Ann Arbor District Library on the Wondrous Strange event.  Library technician Audrey has led a series of projects where members of the public participate in live-action storytelling, ranging from murder mystery to an epic fantasy with cosmic stakes.

Audrey joined me to talk about her work in interactive storytelling in January 2019, just as she was completing preparations for the upcoming “In Between: Quest for the Keystone”. Read more

#NotEnoughSciFi – Hope and Holodecks Revisited

This week in Michigan, I’m leading a series of talks, workshops, and pilot sessions on immersive play and live-action experiences in libraries and other community settings.

To tie in with these sessions, I’ve written a little piece about Hope and Holodecks – incorporating Blade Runner, Star Trek, Captain America….and Romy and Michele’s High School Reunion.

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Look, I think one day we’ll get holodecks.

That was what Star Trek: The Next Generation called the interactive, fully immersive spaces where crew members could conjure ultrarealistic, AI-driven virtual experiences of play, sport, storytelling, historical research, or even technical experimentation.

I think one day they’ll arrive.

I think that whatever the library becomes or is replaced by in the future will look a lot like the holodeck. Instead of summoning information in containers like books or web pages, it will feel like an immersive, flowing sensory and social experience.

It won’t be libraries or other knowledge institutions that develop them, though – it costs too much money.

What’s interesting about how Star Trek imagines that experience is not the pseudoscientific technology behind it. It’s how fluent all the characters are in its use.

They walk into that magic space, summon a story or game or simulation, and tailor it to their requirements. Read more

Library Island hits #nls8

My professional development roleplay Library Island visited the New Librarians Symposium at the National Library of Australia last weekend.

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Librarians old and new joined forces to explore their work with communities in new, messy, and productive ways.

Going beyond the vogue for design thinking, the safe, fictional space of “Library Island” allowed us to engage with knotty questions of office politics, limited resources, managerial edicts, and library users who are sometimes airbrushed out of “future visions” – such as homeless people or those whose behaviour might be challenging to staff. Read more

Library Island: The Professional Benefit of Play

What is the professional benefit of play? When is it better to impose an objective, and when should we learn through experimentation and happy accident? How can we “fail better” without wasting valuable resources?

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In this month’s Library Life magazine, I explore these questions through an account of the Library Island project I’ve been developing during my time at the State Library of Queensland.

Could it be that our next innovation challenge is to break down the walls between fact and fiction? Could story-based, open-ended play be as valuable for professionals as for children? Could it be physical, low-tech, and improvisational as well as digital?

You can read Library Life April 2017 here as a PDF download – my piece starts on page 12.

Busy week, lucky country

It’s been another busy week out here in Central West New South Wales.

On Monday, I interviewed the Australian comics creator Pat Grant for the New South Wales Writers’ Centre. You can read Pat’s comics Blue and Toormina Video online. Pat and I will both be teaching courses at the Centre later this year – Pat’s on Graphic Storytelling and mine on Storytelling for a 21st Century Audience.

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Talking to Pat was timely, because I’d just arranged for Sydney’s superlative comic store Kings Comics to send our local library a vast selection of comics on sale-or-return, which we then allowed the public to choose from in a series of all-ages workshops which I ran to determine our new collection. (Kings mistook me for Doctor Who, too, which only endeared them to me more).

Tuesday saw the kick-off of Time Travel Detectives, an immersive role-play programme for 5-12 year olds which invited local children to enter the Parkes Library Time Travel Lab and venture back to 1873 to prevent a time-lost Justin Bieber and his strange minion creatures from changing history and taking over the town.

The event included two new artworks by the Melbournian artist Peter Miller, Spirit Box and the Life Projector, which became Victorian scientists’ devices for detecting the time-travelling intruders – with Peter and his wife Wendy taking on the roles of rival 19th-century inventors battling to outdo one another. Read more