“Growing numbers of men and women believe that this city is a maze. They are leaving their jobs, their families, their entire lives behind. Every day, they walk the streets, opening doors. They are searching for a door they are convinced has been lost for thousands of years: the exit. What’s behind it? Something else. Something new. Using a strange system of maps, symbols and measurements, one believer — Alice — now thinks she has found it.”
Hot on the heels of the successful Central West Comics Fest last weekend, I’m pleased to announce that award-winning Melbournian writer Martyn Pedler will be visiting Parkes Shire on Tuesday 25th February for a one-day event kicking off a series of gaming and storytelling activities which interrogate the boundaries between fantasy and reality.
Martyn will work with students at Parkes High School, before appearing at a Q&A discussion and screening of his 2011 movie EXIT at Parkes Shire’s Coventry Room at 6.30pm.
Meeting your heroes – Splash page from Dean Trippe’s SOMETHING TERRIBLE
Given the huge part protagonists play in our own notions of what it means to do the right thing, I find myself exhausted by the long and seemingly unending trend for dour superheroes on our movie screens.
Every now and then, I get asked to run a writers’ group in whatever community I’m currently working in.
This is one of the most intimidating challenges for a stranger in town, because each group is its own unique beast. Some people go to these things because they’re working on their magnum opus and are seeking feedback; others want exercises to stimulate their creativity; still others want to write in silent company; and some will be simply be there for the social contact.
On a couple of occasions, I’ve found myself leading a three-hour group with participants ranging in age from 14 to 65, and trying to solve this riddle:
What is interactive storytelling and how can immersive narratives enhance the storytelling experience?
Interactive storytelling means creating an event where all participants shape the outcome of the story. It breaks down barriers between the teller and the audience, so that people work together to develop a shared narrative. In some ways this is very traditional – oral storytelling always involves taking account of your audience, and even a book is never interpreted in quite the same way by different readers – but immersive narratives incorporate aspects of theatre, gaming, and play so that you can step into the world of a story and make choices with consequences for your character.
What makes a successful storytelling event? Is there one that you’re particularly proud to have created?
A successful interactive storytelling event brings satisfying outcomes which the organisers didn’t design or foresee. The recent zombie siege in Tullamore, NSW saw eighty people including police, firefighters, librarians and high schoolers immersed in a four-and-a-half hour survival scenario. Individual players took the outline they’d been given and came up with smart, in-character ways to carry out their roles, leading to moments of high drama which we never could have scripted – on one occasion, a zombie-bitten police officer had to be wrestled to the ground and restrained with his own handcuffs before he “turned”!
Your work uses popular culture to great effect, and you’ve run some diverse events, involving comics, time-travel, and zombies, among other things. What draws you to a narrative and makes you want to share it with others?
I like finding unexpected connections between the everyday world and the universe of dreams, stories, and fantasy. There’s an image from an event I ran in Auckland which captures this beautifully – a Rebel Alliance pilot from Star Wars greeting a man in a hoodie with a traditional Māori hongi – connecting the here-and-now of New Zealand’s multicultural traditions with Hollywood’s “galaxy far, far away”.
I’m just back from Manila after flitting around Australia and the Philippines for a couple of weeks, running various events for libraries and art galleries. 7 flights in 8 days…that’s more than enough!
Zombies are people too – a survivor tries to escape the zombie hordes in Tullamore with a disguise and some pro-zombie sentiments
On the 10th and 11th of October, Parkes Shire Library ran our biggest and best zombie roleplay event to date, working in collaboration with three local schools, police, firefighters, and student volunteers from Charles Sturt University. We had two days of around 70 people taking part in a 4 1/2 hour unbroken zombie-fighting roleplay with real emergency services. You can see video from the news coverage at the ABC website.
That event was the culmination of about a month’s work creating immersive theatre and learning activities in country libraries; you can find out more under the Finding Library Futures tag at this site. As the zombie dust settled, I spent a week training librarians around the region before flying to Sydney during the bushfires, which give the city a rather unnervingly apocalyptic skyline:
Sydney skyline – image via @peteresho’s Twitter account
Teens make comic book storytelling dice at Manila’s MCAD art museum
The kids were very cool but it was pretty intense work – in fact, just walking down the street was pretty intense! Tho’ I’ve been to bustling cities in Peru and Indonesia, this was another level of wild traffic, wealth disparity, and sheer volume of humanity. Five minute taxi rides generated impressions that will take a long time to process. I felt privileged to be invited to work with the talented staff at MCAD and the youth museum Museo Pambata.
On my last night in the city, I went to a gallery launch but ended up sneaking off with another artist, Leeroy New (designer of a Lady Gaga dress, not the infamous meat one), to see his exhibition Gates of Hell, which I found utterly wonderful:
Leeroy New as Buddha encased in expanding foam
Leeroy’s transgressive, playful, pop-cultural take on the sacred had an impact as soon as you entered the room, yet when you ventured beneath the carapace of oozy foam which encased many of his holy subjects, there was a serious engagement with the numinous and transcendent. Gates of Hell reminded me of one of my favourite novels, Toby Litt’s troubling, surrealist fairytale-for-adults Hospital. With its psychopomps and defiantly rebellious bodies, its unyielding but indefinable laws of magic, It’s one of those flawed yet lingering novels – see this Telegraph review for a decent skewering of the flaws – which, despite it all, I can’t recommend enough.
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I loved Leeroy’s work for recalling the grotesquerie of Bosch as much as the claymation splurge of the British 1980s cartoon Trap Door. Gates of Hell marked a perfect balance between pop culture and traditional spirituality, those two rival paths towards a world beyond the everyday. No wonder Lady Gaga had Leeroy make wearable art for her.
After escaping the Gates of Hell, I chaired an evening panel on monsters in children’s literature for the New South Wales Writers’ Centre (you can see a great write-up here from panellist Nyssa Harkness) before finally flying home (my 7th flight in 8 days)…
To recover from all that adventure, I spent a long weekend in a darkened room with too many comics and now I’m back in the game. Stay tuned for tomorrow’s big interview/discussion piece on e-books, publishing, and the future of libraries…
Awestruck Time Travel Detectives at Parkes Shire Library, New South Wales
Once again, it’s busy times over at Finch Towers. I owe this blog a report on Time Travel Detectives and Big Box Battle, two immersive roleplay activities that I’ve just run at Parkes Library. That’s coming, but in the meantime you can see a few photographs from the two events below. There’s no qualitative assessment quite as cool as the awestruck expression on a child’s face…or the air-punching victory of a seven-year-old girl who just took down a chainsaw wielding Elvis robot.
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Next week sees schools from around Central West New South Wales converge on Tullamore for the sequel to 2012’s zombie showdown, and after that I’ll be speaking in Manila and Sydney.
ALWAYS with the zombies…
In Manila, I’ll be running a youth activity for the Museum of Contemporary Art and Design, (MCAD) as well as speaking to Filipino librarians on strategy and innovation. MCAD made a rather beautiful poster for the event:
After that, I’ll be speaking at a New South Wales Writers’ Centre event on Thursday 24th October, Monsters Under The Bed, alongside novelist Kate Forsyth and researcher Nyssa Harkness. We’ll be looking at the place of monsters in children’s and Young Adult fiction – and with Nyssa’s gaming background, I’m hoping we get to explore whether our relationship to monsters changes in an age when interactive storytelling and gaming often allow us to struggle with them directly… You can order tickets for the event at the Writers’ Centre Eventbrite page.
And when all that is done, I have a few words for you on immersive roleplay, performance and literacy, and embedding stories in a community. Stay tuned…
Talking to Pat was timely, because I’d just arranged for Sydney’s superlative comic store Kings Comics to send our local library a vast selection of comics on sale-or-return, which we then allowed the public to choose from in a series of all-ages workshops which I ran to determine our new collection. (Kings mistook me for Doctor Who, too, which only endeared them to me more).
Tuesday saw the kick-off of Time Travel Detectives, an immersive role-play programme for 5-12 year olds which invited local children to enter the Parkes Library Time Travel Lab and venture back to 1873 to prevent a time-lost Justin Bieber and his strange minion creatures from changing history and taking over the town.
The event included two new artworks by the Melbournian artist Peter Miller, Spirit Box and the Life Projector, which became Victorian scientists’ devices for detecting the time-travelling intruders – with Peter and his wife Wendy taking on the roles of rival 19th-century inventors battling to outdo one another. Read more →
“In an age of touchscreens, desktops, and video-on-demand, the ability to handle visual communication is an advantage for every writer. It’s not always about artistic technique, but a willingness to embrace the use of images to get your message across.”
Well, it’s been another busy old week in Auckland, bookended by presentations to Auckland Council’s Democracy Services team and the Rotarians of Auckland’s North Shore, on making the civic life of New Zealand’s largest city more creative and daring.
There’ll be more on that in the next few days, but in the meantime here’s a quick plug for a fringe festival at which I’ll be speaking on Wednesday night – I’ll be at St. Kevin’s Arcade on Karangahape Road from 7pm, performing a short piece on illness, age, and sexuality called “There’s no terror in the carelessness of flesh”.
The festival ties in with Auckland Libraries’ own successful Dark Night season in June, which pushed the boundaries of library services to over-18s with events that explored, challenged, and celebrated sex and sexuality on page, stage, and screen.
Aucklanders can catch that dream team of literati walking the boundaries of scandal and culture on Tuesday, 6pm-8pm at Method and Manners on Queen Street. Then there’s more at St. Kevin’s Arcade on the Wednesday night. Hope to see you then!
“In an age of touchscreens, desktops, and video-on-demand, the ability to handle visual communication is an advantage for every writer. It’s not always about artistic technique, but a willingness to embrace the use of images to get your message across.”
matt finch / mechanical dolphin 
