Interview with Betty Sue Flowers, Part 3: Libraries, Little Voices, and the Hidden Common Ground

This is the final instalment of a three-part interview with Betty Sue Flowers – you can find the first part here, and read the whole piece as a PDF download here.

Betty Sue Flowers, Ph.D., is a writer, editor, and international business consultant, Emeritus Professor at the University of Texas, and former Director of the Lyndon Baines Johnson Library and Museum.

She has been a consultant for NASA and the CIA, Visiting Advisor to the Secretary of the Navy, Public Director of the American Institute of Architects, and editor of scenarios for organisations including Shell International, the OECD, the University of Oxford, and the World Business Council for Sustainable Development.

She has written scholarly works on Robert Browning, Adrienne Rich, and Christina Rossetti among others, as well as serving as a consultant to television series including PBS’s Joseph Campbell and the Power of Myth. You can see more of her work and her extensive publication history here.

In September 2020, I talked with Betty Sue about her career, her accomplishments, and her understanding of the diverse fields she’s worked in, from foresight and healthcare to poetry, literary studies, and library leadership.

Your work on a television tie-in book with Joseph Campbell led, indirectly to you working on scenarios at Shell. How did that come to pass?

After I’d written the Campbell tie-in, people were calling me all the time for help with their books, and I turned them all down except for one person, Joseph Jaworski.

He was writing a book on leadership, Synchronicity: The Inner Path of Leadership, and though I’d never met him, I decided to say yes to his proposal.

I’ve always gone by this little voice inside that says “Yes”, and if it says “Yes”, I never go against it. It’s gotten me into a lot of trouble – good trouble. I didn’t have time, I was running the honours program at UT, I was a professor, I had a small child, and I wasn’t interested in his topic either – he wanted to write a book about the American Leadership Forum.

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Interview with Betty Sue Flowers, Part 2: From “Fire Alarm Time” to Generations of Love

This is part two of a three-part interview with Betty Sue Flowers – you can catch up on the first part here, and read the whole piece as a PDF download here.

Betty Sue Flowers, Ph.D., is a writer, editor, and international business consultant, Emeritus Professor at the University of Texas, and former Director of the Lyndon Baines Johnson Library and Museum.

She has been a consultant for NASA and the CIA, Visiting Advisor to the Secretary of the Navy, Public Director of the American Institute of Architects, and editor of scenarios for organisations including Shell International, the OECD, the University of Oxford, and the World Business Council for Sustainable Development.

She has written scholarly works on Robert Browning, Adrienne Rich, and Christina Rossetti among others, as well as serving as a consultant to television series including PBS’s Joseph Campbell and the Power of Myth. You can see more of her work and her extensive publication history here.

In September 2020, I talked with Betty Sue about her career, her accomplishments, and her understanding of the diverse fields she’s worked in, from foresight and healthcare to poetry, literary studies, and library leadership.

Just thinking of your own writing for a moment, with your early poems, with your teenage plays, did you have an ideal audience, or a specific reader in mind?

I wrote plays for my cousins to perform at Christmas, but actually as a teenager, a play I wrote was performed on television in my home town of Waco, Texas. It was a satire on the Kennedy administration. It was put on TV, and I thought it was quite funny, and obviously it was a political play, intended to be of relevance to the world; they were going to rebroadcast it, and then the assassination happened, and that was the end of it.

That shocking, moving event changed my sense of where I was heading. But my first published poem, which I wrote as a Brownie scout, was about meeting a beggar selling pencils on the street in Abilene, Texas. I was in my uniform, and I thought the appropriate thing to do was to give him the Brownie salute: to stop and acknowledge his humanity. I did this, and he saluted me back, and that was an interaction I wrote about. The little girl and the beggar. The point of the poem was to establish a human connection which overcame the way people were treating him on the street. Insofar as my writing has had an implicit purpose, it was something about opening eyes.

Can you talk a bit more about your process when you’re writing your own poetry?

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Interview with Betty Sue Flowers, Part 1: From Rhythmic Systems to Scenarios as Theatre

Betty Sue Flowers, Ph.D., is a writer, editor, and international business consultant, Emeritus Professor at the University of Texas, and former Director of the Lyndon Baines Johnson Library and Museum.

Betty Sue Flowers

She has been a consultant for NASA and the CIA, Visiting Advisor to the Secretary of the Navy, Public Director of the American Institute of Architects, and editor of scenarios for organisations including Shell International, the OECD, the University of Oxford, and the World Business Council for Sustainable Development.

She has written scholarly works on Robert Browning, Adrienne Rich, and Christina Rossetti among others, as well as serving as a consultant to television series including PBS’s Joseph Campbell and the Power of Myth. You can see more of her work and her extensive publication history here.

In September 2020, I talked with Betty Sue about her career, her accomplishments, and her understanding of the diverse fields she’s worked in, from foresight and healthcare to poetry, literary studies, and library leadership.

The interview will run in three parts on this blog, but you can also read the full transcript now as a PDF download.

You’ve had such a varied and accomplished career, it’s hard to know where to start. Then I saw one of the earliest and most curious entries on your CV: you were a lab assistant at something called the Rhythmic Systems Laboratory?

I started life off as a scientist. I put my way through college working in a zoology lab. I’m still in touch with my mentor, who went on to the University of Virginia. My love of poetry took me away from that path – I just kept following it in another direction.

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Marvellous Finale

It’s the final edition of Curious, Mysterious, Marvellous, Electrical today – the newsletter I’ve used to capture stories and secret histories from Australasia and beyond over the last two years.

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We started out by walking the coasts near Lisbon back in January 2016 and we finish the journey more or less where we began, exploring the history of one of Portugal’s most illustrious artistic families.

In the intervening years, highlights included:

And that’s not even including the drug counsellors, the Nazi hunting comedians, the dancer turned paramedic, the time travelling arts worker, or the Argentinian sisters running a horror-themed cake shop out on the tropic of Capricorn

…or the pastry.

Check out the complete Marvellous, Electrical on Google Maps.

Marvellous, Electrical: Forms of Myth

This week, in Marvellous, Electrical: storytelling, town planning, sculpture, and the smell of first rain on dry stone.

Read ‘Forms of Myth’ here.

Diane Wolkstein – Storytelling across cultures from Australia to NYC

Is the universe made of stories? Human beings can’t keep from telling tales, or listening to them – whether it’s creation myths or the “grand narratives” of science and politics, flights of fantasy or just an answer to the question, “So what did you do today?”

For more than four decades, one woman has sustained the tradition of oral storytelling in the heart of Manhattan. In 1968, Diane Wolkstein began an official role with New York’s Department of Parks and Recreation which has brought stories from around the world to life through her passion and craft.

Diane Wolkstein

Diane caught up with me recently to discuss her career, the challenges of drawing on stories from other cultures, and the business of telling tales in the modern metropolis.

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