Library Island: The Professional Benefit of Play

What is the professional benefit of play? When is it better to impose an objective, and when should we learn through experimentation and happy accident? How can we “fail better” without wasting valuable resources?

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In this month’s Library Life magazine, I explore these questions through an account of the Library Island project I’ve been developing during my time at the State Library of Queensland.

Could it be that our next innovation challenge is to break down the walls between fact and fiction? Could story-based, open-ended play be as valuable for professionals as for children? Could it be physical, low-tech, and improvisational as well as digital?

You can read Library Life April 2017 here as a PDF download – my piece starts on page 12.

Perpetual Stage: The Value of Pretend Play

I just binge-watched a TV show; rare for me, these days. I love TV but it’s so time-consuming. Your evenings and weekends just seep away in front of the screen.

But I felt I had to watch FX’s Legion, the show about a troubled young man who may be mentally ill and may have psychic powers. It’s a gorgeously shot and well acted eight-part show from Noah Hawley, who was also responsible for Fargo.

I saw people online complain about the show being too whimsical and indulgent; I’ve seen it called pretentious and precious.

I’m not convinced. Yes, a lot of goofy stuff happens in the series – but I found it easy to forgive, because it felt like the adult version of kids playing with action figures.

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Did you do that as a kid? I couldn’t get enough of it. Transformers. Action Force. Manta Force, even. I played Star Wars, too – I didn’t even like Star Wars films much, but I loved the toys. When I went to hospital when I was about 10 years old, I found He-Man figures in the children’s ward. I’d never played He-Man before, but it didn’t stop me.

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Visions from Bundaberg

Last weekend I was the guest artist at “Dispatches from Bundy”, a writing workshop in the Queensland town of Bundaberg.

Working with staff from Creative Regions and Queensland University of Technology, our team took a group of local writers and storytellers through a two-day session aimed at engaging with stories from the past, exploring visions of the future, and nurturing regional literature.

One of our activities saw participants creating science fiction stories and postcards from future worlds. We stitched these stories into a timeline of future history stretching a thousand years hence.

Check out the result via YouTube, incorporating images by Peter Miller aka Scribbletronics and music from Disasteradio.

Marvellous, Electrical: Future Sea Punks

This week’s Marvellous, Electrical explores the Brisbane suburb of West End and its annual Kurilpa Derby, street art, social justice, censorship, and the ways communities get inside your head – for good and ill.

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Read Marvellous, Electrical: Future Sea Punks here.

Marvellous, Electrical and the Black Prince

Sidewalk in the Brisbane suburbs

What does a man have to do to be accepted as a true Australian?

We took a walk through the suburbs to Brisbane’s Toowong Cemetery, exploring the legacy of the 19th century champion boxer – and adopted Aussie – Peter Jackson.

Read more at Marvellous, Electrical: Sweet Science.

Marvellous, Electrical: Eustress

“Dance, whatever you say, it’s mostly all about me: its own kind of hedonism. You look in the mirror and judge yourself. You entertain the audience, maybe you inspire one or two kids who’d like to be dancers themselves, but that’s about it. It can be overwhelming to focus on yourself that way.”

“What I do now, I don’t stop people getting sick, I don’t fix every problem, but at least I know I’ve helped.”

Queensland ambulance

A classic Queensland amublance. Image from Queensland State Archives.

This week’s Marvellous, Electrical tells the story of a top-flight contemporary dancer turned Brisbane paramedic.

Read Curious, Mysterious, Marvellous, Electrical: Eustress here.

New Adventures at the Brisbane Writers Festival

This weekend, join me for two events at the Brisbane Writers Festival.

On Saturday 10th September at 4pm, I’ll be on the Rules of Engagement panel with Kate Pullinger and Caroline Heim, talking about the shifting relationships between institutions, artmakers, scientists, audiences, and participants.

Then, on Sunday 11th September at 11.30am, join Ellen Van Neerven, Maggie Hardy, Tamara Davis, and Maree Kimberley for Science and Belonging, a special presentation by the State Library of Queensland.

Instead of the usual panel discussion, we’ll be running a Beyond Panels session which maximises your chance to talk to our guests.

Our panel of scientists and speculative fiction writers will talk about their work with Festival  visitors before leading a discussion exploring the collisions, contrasts, and common ground between speculative fiction and scientific practice.

Find out more about Rules of Engagement and Science and Belonging at the Brisbane Writers Festival website.

Marvellous, Electrical: Consider the Ravens

“Take only what you need…share what you have. The idea is not that radical. We teach sharing to our kids but it gets lost somewhere along the way.”

In this week’s Marvellous, Electrical, Brisbane activist Andy Paine tells of a life spent striving to live without money.

Consider the ravens over at Marvellous, Electrical.