LIANZA #Open2017 – Future Sound of Libraries / B-sides and rarities

This is the final part of a series on the LIANZA #Open17 library conference.

So you’ve seen how we planned a keynote where the main speaker keeps their mouth taped shut for nigh-on an hour. Seen what happened over the course of that hour. And even seen the consequences of the event.

This is the last post in this series setting out our process, so you can think about how to run such an activity, and push the boundaries even further than we did.

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In this entry I’m just going to focus on all the stuff which remained below the waterline – songs which didn’t make it to the final session, videos which inspired us but whose inspiration might not be very visible in the finished product. Read more

LIANZA #Open2017 – Future Sound of Libraries / The Process, pt. 3

This is part three of a series on the LIANZA #Open17 library conference, and my alternative keynote at that event. These blog posts should help you find ways to create your own participatory sessions, and to maximise their impact.

Last time, we went through everything that happened at the LIANZA Open 17 keynote, culminating in Rachael Rivera and Hamish Noonan’s excellent presentation on the services they have devised and delivered for homeless people in central Auckland. (You can read about their stupendous and internationally recognised work here).

I had approached Rachael to conclude the keynote so that it ended with a local voice and a speaker who was delivering practical front-line services to a New Zealand community. Rachael is a great example of a library branch manager whose teams are finding new and compelling ways to engage their community, from services for the homeless through to personalised one-to-one music sessions.

What happened next? How did this little library conference end up making national news in New Zealand? Read more

LIANZA #Open2017 – Future Sound of Libraries / The Process, pt. 2

This is part two of a series on the LIANZA #Open17 library conference, and my alternative keynote at that event. These blog posts should help you find ways to create your own participatory sessions.

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You can also watch a Youtube Playlist based on the LIANZA keynote here.

So, it’s the afternoon of Sunday 24th September, 2017, at the Addington Raceway in Christchurch, Aotearoa New Zealand. Laurinda Thomas has just given an excellent talk about librarians’ professional identity and I’m invited to the stage.

I acknowledge the traditional owners of the land and say a few words in te reo Māori.

Then this appears on the conference screens: Read more

LIANZA #Open2017 – Future Sound of Libraries / The Process

This is part one of a three-part series on the LIANZA #Open17 library conference.

In August last year, the organisers of LIANZA Open 2017 invited me to be a keynote at their conference, the national gathering for the librarians of Aotearoa New Zealand.

Last week, it all happened – I taped my mouth shut for an hour and led an adventurous conference session which brought the audience onto the stage, delivered a working library service within the keynote hall itself, and got us coverage on New Zealand’s national news.

So what exactly took place over in the city of Christchurch, how did we get here, and what can we do with the experience? If I share with you not only the product, but the process, could you see your way to trying something like this…or even going beyond what we achieved in New Zealand?

Read more

A Romance on Three Legs: The Ivory Archives / @IAMLaustralia

Is a library just a machine for making knowledge?

In such a place, can a piano be a research tool?

Why did a Kindertransport refugee from the Nazis acquire Glenn Gould’s favourite instrument for the National Library of Canada?

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Photo by National Arts Centre Archives, Canada

In advance of Australia’s 2017 IAML conference of music librarians, you can read the story of Gould’s beloved Steinway CD 318 over at Library as Incubator.

Check out “A Romance on Three Legs: The Ivory Archives” now.

Decolonising reading: the Murri book club of Townsville, Queensland

The brilliant Janeese Henaway of Townsville Libraries has just co-written an academic paper with researcher Maggie Nolan.

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The paper, ‘Decolonising reading: the Murri book club‘, explores the project to create and support an Indigenous book club in a regional Australian city, led by Janeese in her capacity as Indigenous Library Resources Officer.

If book clubs are an overwhelmingly white phenomenon, through which members ‘maintain their currency as literate citizens through group discussion’, what does it mean for Indigenous people to create and run their own book club? How does it differ from other clubs and activities? What are the tensions, concerns, opportunities, and expectations when Indigenous people reshape the book club format for their own purposes?

Janeese and Maggie explore decolonization of the book club as a social, cultural, and political institution. They ask how this project might address white ignorance and explore empathy across ethnic groups, and they consider the tension between oral and written traditions for Indigenous people living in the Australia of 2017.

Read ‘Decolonising reading: the Murri book club’ in Continuum Journal of Media & Cultural Studies today.

#NotEnoughScifi: John M. Ford & the Funny Business / Coda

We come to the final instalment of this series on the forgotten but brilliant science fiction writer John M. Ford.

Over the last few posts, we’ve looked at how he made nifty comedy out of the Star Trek franchise, and how his interest in games allowed him to lend nuance to the usual goodies-vs-baddies-in-space shenanigans when he was playing in other people’s universes.

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We also thought about why thinking science-fictionally matters when we try to find new ways of doing things for our communities, our organisations, ourselves. And we considered how good ideas move between the world on the page and the world beyond it.

I wanted to end by coming back to Ford’s actual life in Minneapolis. Read more

Pineapple GLAM with @amywalduck

Today I’m joined by Amy Walduck, Queensland State Manager for the Australian library association ALIA.

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Amy’s a government research librarian, musician, social media maven, and culture professional extraordinaire. She’s also creator of the @QLDLibraries Twitter account celebrating library achievements across Australia’s Sunshine State.

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Amy was my partner in crime on various initiatives at the State Library of Queensland, including baking cakes for occupational therapists at Griffith University. She’s a natural networker, enthusiastic, innovative, and determined: great qualities in an ever-changing sector like Libraryland.

Pinned to the top of Amy’s Twitter timeline for most of 2017 has been this statement:

I started our chat by asking Amy: Why did you make this your 2017 life goal?  Read more

A new strategic vision for Queensland public libraries

My University of Southern Queensland colleague Kate Davis and I have won the tender to review the strategic vision for public libraries in Queensland, Australia.

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We’ll be drafting a successor to the existing VISION 2017 document after a season of consultation, workshops, surveys, and interviews with library staff, managers, and key stakeholders from across the state.

Find out more at the State Library of Queensland’s PLConnect blog.