This week you can find me over at @wethehumanities, a rotating Twitter account where people working in the humanities get to share ideas, experiences, and stories. I’m using my week to talk about the grey areas between fact and fiction, dream and experience, stories and everyday life – as well as people who cross back and forth over the walls of universities and academic institutions.
Today I’m joined by Natasha Barrett, a British researcher and cultural heritage expert currently studying for a doctorate at the University of Leicester.
Natasha tells me:
I’m researching commercial colonial-era photographs (1860s-1914) of Māori (the indigenous Polynesian people of New Zealand) and their taonga/cultural treasures. Essentially I’m looking at the meaning of these photographs to Māori, and how they have been used over time both within and outside of museums. I’m also considering how Māori perspectives can inform the way these photographs are understood in museums. My approach treats photographs as three-dimensional objects. I pay close attention to their material qualities, such as the albums they are placed in, any writing on their surfaces. As well as, the sensorial or different ways people engage with photographs, inlcuding looking at, talking about and touching them.
You’ve returned to academia after a long time working in the cultural heritage sector; what’s it like returning to research and how have your experiences off-campus shaped what you do now? Read more