LIANZA #Open2017 – Future Sound of Libraries / The Process, pt. 3

This is part three of a series on the LIANZA #Open17 library conference, and my alternative keynote at that event. These blog posts should help you find ways to create your own participatory sessions, and to maximise their impact.

Last time, we went through everything that happened at the LIANZA Open 17 keynote, culminating in Rachael Rivera and Hamish Noonan’s excellent presentation on the services they have devised and delivered for homeless people in central Auckland. (You can read about their stupendous and internationally recognised work here).

I had approached Rachael to conclude the keynote so that it ended with a local voice and a speaker who was delivering practical front-line services to a New Zealand community. Rachael is a great example of a library branch manager whose teams are finding new and compelling ways to engage their community, from services for the homeless through to personalised one-to-one music sessions.

What happened next? How did this little library conference end up making national news in New Zealand? Read more

LIANZA #Open2017 – Future Sound of Libraries / The Process, pt. 2

This is part two of a series on the LIANZA #Open17 library conference, and my alternative keynote at that event. These blog posts should help you find ways to create your own participatory sessions.

Screen Shot 2017-09-29 at 20.57.36.png

You can also watch a Youtube Playlist based on the LIANZA keynote here.

So, it’s the afternoon of Sunday 24th September, 2017, at the Addington Raceway in Christchurch, Aotearoa New Zealand. Laurinda Thomas has just given an excellent talk about librarians’ professional identity and I’m invited to the stage.

I acknowledge the traditional owners of the land and say a few words in te reo Māori.

Then this appears on the conference screens: Read more

LIANZA #Open2017 – Future Sound of Libraries / The Process

This is part one of a three-part series on the LIANZA #Open17 library conference.

In August last year, the organisers of LIANZA Open 2017 invited me to be a keynote at their conference, the national gathering for the librarians of Aotearoa New Zealand.

Last week, it all happened – I taped my mouth shut for an hour and led an adventurous conference session which brought the audience onto the stage, delivered a working library service within the keynote hall itself, and got us coverage on New Zealand’s national news.

So what exactly took place over in the city of Christchurch, how did we get here, and what can we do with the experience? If I share with you not only the product, but the process, could you see your way to trying something like this…or even going beyond what we achieved in New Zealand?

Read more

LIANZA 2017 Keynote

I’m pleased to say I’ll be joining the librarians of Aotearoa / New Zealand for this year’s LIANZA conference, 24-27 September at Addington Raceway.

More news to follow.

Sunday Read, Supplemental: Dancing Zombie Cops Can Only Be A Good Thing

I just saw the Running Man Challenge video recorded by police in New Zealand Aotearoa this week.

The video is part of a drive by Kiwi cops to recruit more officers, especially from Maori, Asian, Middle Eastern, Pacific Island, and Indian backgrounds.

I did a double take, because the cop who closes out the routine is Sergeant Sonny Iosefo of South Auckland.

Sonny also starred in our 2013 zombie siege at Tupu Youth Library, as an officer who came in to protect a group of teens from an invasion of the living dead.

Read more

Sunday Read: Beyond Secret Cinema

My belated Sunday morning read is this piece from the Guardian on London’s Secret Cinema, which blends movie screenings with theatrical experiences and themed activities:

I’m a big fan of participatory live-action storytelling and I’m fascinated by opportunities to blur the line between fiction and “real” experience, creating events where attendees shape the outcome of a story.

I went to a Secret Cinema event a few years back and was pretty disappointed – the set design and costumes were fancy, but the opportunities to get involved in the storytelling were minimal. I’d gone to see Casablanca and while it was cool to sing La Marseillaise at a bunch of actors in Nazi uniform, the rest of the “immersive experience” consisted of overpriced snacks and a “casino” barely worthy of a student union’s James Bond night. The Guardian piece captures the extent to which Secret Cinema events are now more about taking your money than letting you step into the world of a story.

Read more

We The Humanities: Interview with Natasha Barrett, University of Leicester

This week you can find me over at @wethehumanities, a rotating Twitter account where people working in the humanities get to share ideas, experiences, and stories. I’m using my week to talk about the grey areas between fact and fiction, dream and experience, stories and everyday life – as well as people who cross back and forth over the walls of universities and academic institutions.

Today I’m joined by Natasha Barrett, a British researcher and cultural heritage expert currently studying for a doctorate at the University of Leicester.

Natasha tells me: 

I’m researching commercial colonial-era photographs (1860s-1914) of Māori (the indigenous Polynesian people of New Zealand) and their taonga/cultural treasures. Essentially I’m looking at the meaning of these photographs to Māori, and how they have been used over time both within and outside of museums. I’m also considering how Māori perspectives can inform the way these photographs are understood in museums. My approach treats photographs as three-dimensional objects. I pay close attention to their material qualities, such as the albums they are placed in, any writing on their surfaces. As well as, the sensorial or different ways people engage with photographs, inlcuding looking at, talking about and touching them.

You’ve returned to academia after a long time working in the cultural heritage sector; what’s it like returning to research and how have your experiences off-campus shaped what you do now? Read more

Crisis and Consequence: On Libraries’ Response to the Christchurch Earthquakes

In 2010 and 2011, the city of Christchurch faced the most severe natural disasters in the history of New Zealand / Aotearoa. The librarians of “ChCh” responded to the crisis with flexibility, courage, and innovation.

I wrote about the Christchurch quakes and the response of Kiwi librarians for CILIP Update, the in-house journal of the UK librarians’ association, CILIP.

You can read a PDF copy of the article by clicking on the image below.

Crisis and Consequence by Matt Finch

You can also check out my previous Update article, “Pushing the limits: play, explore, experiment”, as a PDF download.

Life after Dark Night: Auckland’s barroom librarians

Some projects make a big splash right away. With others, it’s something of a slow burn.

Just as the sun sets on this year’s Fun Palaces, I was pleased to see an old programme finally achieving its potential back in Aotearoa New Zealand.

Auckland Libraries have just launched Reading Between the Wines, a monthly book club which tours bars in the central suburbs of New Zealand’s biggest city. Librarians bring a selection of books to the bar for patrons to check out and discuss on the first Thursday of each month.

Read more